The Greatest Heiress in EnglandOliphant, Mrs. (Margaret)
General
The Greatest Heiress in England
Oliphant, Mrs. (Margaret)
England -- Fiction; Inheritance and succession -- Fiction
“If that’s so,” said Mrs. Ford brightening, and she came up to her
charge and kissed her affectionately, “whatever we can get, or whatever
we can do to make you happy, Lucy, you have only to say it: never mind
the expense. If there is one thing you have a fancy for more than
another, if it should be game, or whatever it is, you shall have it. And
this room is yours, my pet. You’ll excuse me sitting here; I think
there’s nothing like my parlor; but when you want me you can always send
for me. And here you shall always find everything kept nice; and as for
a cup of tea, whenever you want it-- I shouldn’t wonder if you were kept
very short up there.”
Mrs. Ford jerked her thumb over her shoulder by way of indicating Lucy’s
former abode. “I know what fine ladies are,” she said: “a fine outside
and not much within. Horses and carriages and all that show, and footmen
waiting, and silver dishes on the table, but not much inside.”
“Lady Randolph was not like that,” Lucy said faintly. She did not know
whether to laugh or to cry; but her companion took her hesitation as a
proof of the correctness of her own judgment, and was triumphant.
“I know ’em,” she said. “I don’t give myself any airs Lucy, but I know
you’ll find nothing like that here. No show, but everything good, and
plenty of it, and not so much fuss made about you--for we’ve got no ends
to serve, Ford and me--but if there’s a thing you want you shall have
it; that is our way, and I don’t see but what you may be very happy
here. Keep all these folks that will be gathering round you, and making
believe to adore you, at a distance, and keep yourself to yourself, and
don’t put your faith in the Rushtons, nor the Stones, nor any of the
Farafield folks; and I don’t see, Lucy my pet, but what you may be very
happy here. And now, my darling, I’ll go down-stairs and see after the
tea.”
Public-domain text, read in full here on John Shaqi.
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