The greatest story in the world, period 1 (of 3) : $b [From the earliest times to A. D. 100] — John Shaqi
The greatest story in the world, period 1 (of 3) : $b [From the earliest times to A. D. 100]Hutchinson, Horace G. (Horace Gordon)
History
The greatest story in the world, period 1 (of 3) : $b [From the earliest times to A. D. 100]
Hutchinson, Horace G. (Horace Gordon)
World history
That was one alteration from the hieroglyphic that was made, as time
went on; and then there came another, further change, still in the
direction of making simpler and simpler signs in place of the
original figures; and when this third kind of writing had established
itself it seems to have been found the easiest of the three and best
suited for everyday use. It was called "Demotic," from "demos,"
meaning the populace, whence we get our "democracy" and {38} the like
words. "Demotic," then, meant that it was the writing of the common
people, of the nation at large, as contrasted with the "hieratic,"
which was the writing used and known by the priests.
All the old religious writings and the instructions about the
ceremonies to be performed at the worship of the various gods were,
of course, in the sacred writing. And when the priests added to them
they were careful to do it in their own sacred script. And so, by
knowing this script, or writing, which the others did not, they grew
to have a knowledge of their own, which they kept rather jealously to
themselves. It gave them all the greater importance. And their
importance and power were very great.
[Sidenote: Egyptian dress]
They were distinguished from the rest of the people, probably on all
occasions, and certainly on the occasions of performing the religious
rites, by a peculiar costume. The costume in which we see the common
people figured in the earliest engravings is extremely simple. The
climate was warm and they did not require much covering. The dress
consists simply in a cloth wound around the loins and passing between
the legs, just as the most savage peoples in the world to-day wear
the loin-cloth.
A little later we find the engravings showing us the cloth
lengthening downward, perhaps as far as the knees, or even a little
lower in the female costume, but the upper part of the body was
generally bare in both sexes. Linen woven from the flax, for the art
of weaving was very early known, was the light material of which this
costume was made.
And then we find them wearing something not unlike a night-gown
to-day, rather open at the neck, and without sleeves. Another
variety of the linen {39} dress was as if it were a night-gown with
the front closed up to the neck, but all the right shoulder and
sleeve taken out of it, so that the left shoulder was covered, but
the right arm and shoulder were left all free.
That was the kind of dress of the common people. At first we see
them bare-foot. Gradually they took more and more to sandals, and
there are pictures of great men going along bare-foot, but followed
by a servant carrying their sandals--perhaps to put on when they came
to rough ground. But it is also likely that the wearing of the
sandals had a meaning in a religious rite which they might be going
to perform.
Public-domain text, read in full here on John Shaqi.
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