The Greek Romances of Heliodorus, Longus and Achilles Tatius: Comprising the Ethiopics; or, Adventures of Theagenes and Chariclea; The pastoral amours of Daphnis and Chloe; and the loves of Clitopho and LeucippeLongus
General
The Greek Romances of Heliodorus, Longus and Achilles Tatius: Comprising the Ethiopics; or, Adventures of Theagenes and Chariclea; The pastoral amours of Daphnis and Chloe; and the loves of Clitopho and Leucippe
Longus
Romance fiction, Greek -- Translations into English
"'Thetis, the golden-haired, we sing.
She who from Nereus erst did spring,
The Venus of our fatherland.
To Peleus wed, at Jove's command,
Her--of the thunderbolt of war, }
Famed for his beamy spear afar, }
Achilles--Greece the mother saw }
Wedded to whom did Pyrrha bear,
Great Neoptolemus his heir,
Of Grecian land the boast and joy,
The destined scourge of lofty Troy.
Thou who in Delphic land dost rest,
Hero, by thee may we be blest;
Accept our strains, and oh, by thee,
May every ill averted be!
Thetis the golden-haired we sing,
She who from Peleus erst did spring.
"The dance[3] which accompanied this song was so well adapted to it,
and the cadence of their steps agreed so exactly with the melody of
the strain, that for a while, in spite of the magnificence of the
spectacle, the sense of seeing was overpowered and suspended by that of
hearing; and all who were present, attracted by the sounds, followed
the advancing dancers. At length a band of youths on horseback, with
their splendidly dressed commander, opening upon them, afforded a
spectacle far preferable to any sounds. Their number was exactly fifty;
they divided themselves into five-and-twenty on each side guarding
their leader, chief of the sacred embassy, who rode in the midst: their
buskins, laced with a purple thong, were tied above their ancles; their
white garments, bordered with blue, were fastened by a golden clasp
over their breasts. Their horses were Thessalian, and by their spirit
gave token of the open plains they came from; they seemed to champ
with disdain the foaming bit, yet obeyed the regulating hand of their
riders, who appeared to vie with each other in the splendour of their
frontlets and other trappings, which glittered with gold and silver.
But all these, Cnemon, splendid as they were, were utterly overlooked,
and seemed to vanish, like other objects before a flash of lightning,
at the appearance of their leader, my dear Theagenes, so gallant a show
did he make.[4] He too was on horseback, and in armour, with an ashen
spear in his hand; his head was uncovered; he wore a purple robe, on
which was worked in gold the story of the Centaurs and the Lapithæ; the
clasp of it was of electrum, and represented Pallas with the Gorgon's
head on her shield. A light breath of wind added to the grace of his
appearance; it played upon his hair, dispersed it on his neck, and
divided it from his forehead, throwing back the extremities of his
cloak in easy folds on the back and sides of his horse. You would say,
too, that the horse himself was conscious both of his own beauty and
of the beauty of his rider; so stately did he arch his neck and carry
his head, with ears erect and fiery eyes, proudly bearing a master
who was proud to be thus borne. He moved along under a loose rein,
balancing himself equally on each side, and, touching the ground with
Public-domain text, read in full here on John Shaqi.
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