The Greek Romances of Heliodorus, Longus and Achilles Tatius: Comprising the Ethiopics; or, Adventures of Theagenes and Chariclea; The pastoral amours of Daphnis and Chloe; and the loves of Clitopho and LeucippeLongus
General
The Greek Romances of Heliodorus, Longus and Achilles Tatius: Comprising the Ethiopics; or, Adventures of Theagenes and Chariclea; The pastoral amours of Daphnis and Chloe; and the loves of Clitopho and Leucippe
Longus
Romance fiction, Greek -- Translations into English
the extremity of his hoofs, tempered his pace into almost an insensible
motion.
"Every one, astonished at the appearance of this young man, joined
in confessing, that beauty and strength were never before so
gracefully mingled. The women in the streets, unable to disguise their
feelings, flung handfuls of fruit and flowers over him, in token of
their admiration and affection: in short, there was but one opinion
concerning him--that it was impossible for mortal form to excel that of
Theagenes. But now, when
Rosy-finger'd morn appeared,
as Homer says, and the beautiful and accomplished Chariclea proceeded
from the temple of Diana, we then perceived that even Theagenes might
be outshone; but only so far as female beauty is naturally more
engaging and alluring than that of men. She was borne in a chariot
drawn by two white oxen--she was dressed in a purple robe embroidered
with gold, which flowed down to her feet--she had a girdle round her
waist, on which the artist had exerted all his skill: it represented
two serpents, whose tails were interlaced behind her shoulders; their
necks knotted beneath her bosom; and their heads, disentangled from
the knot, hung down on either side as an appendage: so well were they
imitated, that you would say they really glided onward. Their aspect
was not at all terrible; their eyes swam in a kind of languid lustre,
as if being lulled to sleep by the charms of the maiden's breast.
They were wrought in darkened gold, tinged with blue, the better to
represent, by this mixture of dark and yellow, the roughness and
glancing colour of the scales. Such was the maiden's girdle. Her hair
was not entirely tied up, nor quite dishevelled, but the greater part
of it flowed down her neck, and wantoned on her shoulders--a crown of
laurel confined the bright and ruddy locks which adorned her forehead,
and prevented the wind from disturbing them too roughly--she bore a
gilded bow in her left hand; her quiver hung at her right shoulder--in
her other hand she had a lighted torch; yet the lustre of her eyes
paled the brightness of the torch."
"Here are, indeed, Theagenes and Chariclea," cried out Cnemon. "Where,
where are they?" exclaimed Calasiris; who thought that Cnemon saw
them.--"I think I see them now," he replied, "but it is in your lively
description."--"I do not know," said Calasiris, "whether you ever
saw them such as all Greece and the sun beheld them on that day--so
conspicuous, so illustrious; she the object of wish to all the men, and
he to all the women; all thought them equal to the immortals in beauty.
But the Delphians more admired the youth, and the Thessalians the maid;
each most struck with that form which they then saw for the first time.
Such is the charm of novelty.
Public-domain text, read in full here on John Shaqi.
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