The Greek theater and its dramaFlickinger, Roy C. (Roy Caston)
History
The Greek theater and its drama
Flickinger, Roy C. (Roy Caston)
Drama -- Technique; Greek drama -- History and criticism; Theater -- Greece -- History -- To 500
Sometimes the noise of fifteen lusty choreutae lifting their voices
in united song sadly interferes with the verisimilitude of the scene,
especially when the dramatic situation imperatively demands silence. The
stricken Orestes, in Euripides’ play of that name, has at last fallen
asleep, guarded by his devoted sister. Enter the chorus to inquire of
his condition. Electra groans as she catches sight of them, well assured
that they will waken Orestes (vss. 131 ff.). She begs them to be quiet,
to stand far away from his bed, to drop their voices still lower. She
inquires why they have come; warns them that they will be the death of
him if they rouse him; beseeches them to depart, to cease their chanting.
It is all in vain. The chorus enjoin quiet, declare that they are obeying
her biddings, protest that their singing is but a murmur, invoke winged
night to come upon him, etc. They needs must enter and needs must carry
their part of the lyric dialogue with Electra, until finally (vs. 211)
her fears are realized and Orestes’ slumber is broken. Similarly, in
Sophocles’ _Philoctetes_, Neoptolemus suggests that they give Philoctetes
an opportunity to sleep. But the chorus sings an invocation to slumber,
which under like circumstances in real life could hardly have had a very
soporific effect. Nevertheless, Philoctetes succumbs to it; whereupon the
chorus advise Neoptolemus to execute his sinister designs, circumspectly
enjoining that his reply to them should be couched in whispered tones!
An especially striking instance occurs in Euripides’ _Cyclops_. At vs.
601 Polyphemus, well filled with powerful wine, has just entered his
cave; Odysseus prays that the liquor will close the monster’s eyelids in
sleep and follows him in. It is not a moment suitable for any unnecessary
noise, such as might tend to keep the Cyclops awake. But the satyrs,
being alone upon the stage, have no option but to chant an ode (vss.
608-23). At its conclusion Odysseus rushes in with an expostulation:
Hush, you wild things, for Heaven’s sake!—still as death!
Shut your lips tight together!—not a breath!
Don’t wink, don’t cough, for fear the beast should wake
Ere we twist out his eye with that red stake.
[Way’s translation]
Public-domain text, read in full here on John Shaqi.
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