The Greek View of LifeDickinson, G. Lowes (Goldsworthy Lowes)
Religion
The Greek View of Life
Dickinson, G. Lowes (Goldsworthy Lowes)
Greece -- Civilization
mind, for the one is only of human, but the other of divine origin."
[Footnote: Plato, Phaedrus, 244.--Jowett's translation.]
Here then, in the oracle at Delphi, the centre of the religious life
of the Greeks, we have an explicit affirmation of that element of
mysticism which we might have supposed to be the most alien to their
genius; and the same element re-appears, in a cruder and more barbaric
form, in connection with the cult of Dionysus. He, the god of wine,
was also the god of inspiration; and the ritual with which he was
worshipped was a kind of apotheosis of intoxication. To suppress for a
time the ordinary work-a-day consciousness, with its tedium, its
checks, its balancing of pros and cons, to escape into the directness
and simplicity of mere animal life, and yet to feel in this no
degradation but rather a submission to the divine power, an actual
identification with the deity-such, it would seem, was the intention
of those extraordinary revels of which we have in the "Bacchae" of
Euripides so vivid a description. And to this end no stimulus was
omitted to excite and inspire the imagination and the sense. The
influence of night and torches in solitary woods, intoxicating drinks,
the din of flutes and cymbals on a bass of thunderous drums, dances
convulsing every limb and dazzling eyes and brain, the harking-back,
as it were, to the sympathies and forms of animal life in the dress of
fawnskin, the horns, the snakes twined about the arm, and the
impersonation of those strange half-human creatures who were supposed
to attend upon the god, the satyrs, nymphs, and fauns who formed his
train--all this points to an attempt to escape from the bounds of
ordinary consciousness and pass into some condition conceived, however
confusedly, as one of union with the divine power. And though the
basis, clearly enough, is physical and even bestial, yet the whole
ritual does undoubtedly express, and that with a plastic grace and
beauty that redeems its frank sensuality, that passion to transcend
the limitations of human existence which is at the bottom of the
mystic element in all religions.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account