The Green Book; Or, Freedom Under the Snow: A NovelJókai, Mór
History
The Green Book; Or, Freedom Under the Snow: A Novel
Jókai, Mór
Russia -- History -- December Uprising, 1825 -- Fiction
The Czar, not even awaiting the march past of the regiments, who were
wont to defile past him with pipe and drum, left the whole command to
the Grand Duke, and, throwing himself into his troika, drove back to the
Winter Palace.
There he hastened to his study. On it were spread important, weighty
documents, containing epoch-making decisions for people and nations,
only awaiting his signature. The Czar's eyes rested sadly upon them,
reading in them, not what was written upon them in ordinary characters,
but the _Palimpsest_ with which fate ever crosses the carefully
thought-out plans of mankind.
Then, seizing all the documents--painstaking labors of many a night--he
made them into a roll, and, throwing them on to the fire, watched them,
a prey to the flames. They were all to have been Sophie Narishkin's
dowry.
Soon they were a heap of ashes.
Then, sitting down, he wrote a letter. It contained but two words--"Come
back."
The envelope was addressed to Araktseieff.
CHAPTER XXXIII
THE RENDEZVOUS
There is something marvellous in the summer nights of the extreme North.
Foreigners find it harder to accustom themselves to them than they do to
the long winter nights with their cruel severity. The evening glow lasts
till midnight, and then begins the dawn. It seems endless until the
first stars appear in the still, clear sky, and under them the
brilliant planets Venus and Jupiter, burning in the firmament like
diamonds on the surface of a golden lake. The pale moon describes its
short orbit, a superfluous luminary; and on the Feast of Masinka the
half-hour of actual night is impatiently awaited, in order to let off
fireworks on the forty islands of the Neva. (For by daylight it is no
use to send up rockets!) Street lamps are not lit in St. Petersburg at
all during this month. Nor in the apartments of Korynthia's villa are
lights needed on the evening of this 20th of June. The sky diffuses
light enough until 11 P.M., and a little twilight will not seriously
disturb those of whom we are about to speak.
Korynthia, in some agitation, has strayed--who can tell how often in the
course of that evening?--on to her veranda, and let her eyes rove over
the surface of the mighty river below. It, too, is golden in the evening
light, and, like the Russian pictures of saints, on a golden ground is
reflected in its sheen the capital, with its rows of palaces, the dome
and columns of St. Isaac's, the florid architecture of the Exchange, the
bridge of Holy Trinity, the scattered islands from amid whose wooded
heights the varied forms and shapes of country-houses peep, with roofs
red, blue, green, gilded, and pagoda-like. And among the islands are
darting boats, gondolas, canoes, of every kind and description. Some
rowed by twelve boatmen, others by a solitary dreamer; the one flashing
along at lightning speed, the other letting himself drift on with the
stream. The song of the boatmen is in the air.
Public-domain text, read in full here on John Shaqi.
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