The Green Book; Or, Freedom Under the Snow: A NovelJókai, Mór
History
The Green Book; Or, Freedom Under the Snow: A Novel
Jókai, Mór
Russia -- History -- December Uprising, 1825 -- Fiction
In the uncertain light their figures stand out like black silhouettes.
Korynthia asks herself which of the gondolas is bringing to her him she
is expecting--which is the silhouette of his figure?
To the watcher the last half-hour seems longest. Korynthia turns from
the balcony to the interior of her room, and gazes once more at herself
in her mirror. You are beautiful, very beautiful, says her mirror; that
white costume lends you quite a youthful appearance, leaving, as it
does, the rounded marble of the arms bare to the shoulder. Your wealth
of fair hair is not stiffly arranged, but floats in two thick tresses.
No ornament of any kind, bracelet or earring, enhances your charms. The
confident champion enters the battle-field without helmet or shield.
Even the wedding-ring is absent. You are beautiful indeed--says her
mirror.
And beside the mirror hangs a picture, set in a thick gold frame. It
is the picture of a young girl in the garb of a mythical
shepherdess--tender and delicate as a dream. Korynthia had received it
some years ago, a present from the Czar. She may possibly have divined
even then that it was no fancy picture, but a portrait; she may even
have guessed whom it represented. Within the last few days she knows for
certain. She has met the original. It was the portrait of Sophie
Narishkin.
Certainly she might long since have known it from Bethsaba--have seen
portrait and original often enough, had she asked her. But although
lying was foreign to the nature of the Circassian king's daughter, she
knew how to be silent, and had that much Armenian blood in her veins not
to answer when not directly questioned.
So the reflection in the mirror and the portrait in the frame were in
close proximity. And comparison left the living reflection victor.
You pale child with your dreamy eyes, your lips seeming to open in
lament; your tender, shadowy frame, how can you think to rival the
divine presence of a woman? What power can you have, melancholy
dream-picture of another world, against this earthly woman whose beauty
arouses and quenches passion, kills and inspires life? Do you possess an
Aleko, he chooses himself a gypsy maid; and that is not you. Is he not
himself a true gypsy, leading a vagabond, adventurous life? In a word,
is he not a poet?
Public-domain text, read in full here on John Shaqi.
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