A heavy Persian carpet was spread upon the floor and the windows were
draped with some kind of brightly colored Madras. Tastefully-framed
water-colors hung upon the wall. There was a quaint cabinet in the
room, too; a low cushioned settee and two armchairs. In the center was
a table upon which stood a lamp with a large mosaic shade. Two
high-backed chairs were set to the table--and the table was laid for
supper! A bottle of wine stood in an ice-pail, in which the ice had
long since melted, and a tempting cold repast was spread. The table
was decorated with a bowl of perfect white roses. The silver was good;
the napery was snowy.
Like a fool I stood gaping at the spectacle, until, noting the
direction of Gatton's glance, I turned my attention to the mantelpiece
upon which a clock was ticking with a dull and solemn note.
Standing beside the clock, in a curious carved frame, was a large
photograph of Isobel!
CHAPTER VI
THE VOICE
"This is where the mystery centers," said Gatton.
I made no reply, for I had not yet recovered from the shock of that
discovery in the deserted supper room. It was so wholly unexpected and
yet it so cruelly confirmed the Inspector's undisguised suspicions
that it seemed to me to have created a sort of impalpable barrier
between us. Of this Gatton was evidently conscious. He endeavored to
arouse my interest in the inquiries which he was conducting in the
garage, but for long enough I saw nothing of the place in which we
stood; I could only see that photograph smiling at me inquiringly
through a haze of doubt, and my companion's words reached me in a
muffled fashion. Finally, however, I succeeded in rousing myself from
this dazed condition, and confident as ever that Isobel was innocent
of all complicity in the matter:
"The presence of the photograph," I said, "takes us a step further.
Don't you see, Inspector, that this is a deeply and cunningly laid
trap? What I had taken for a series of unfortunate coincidences I
perceive now to be the workings of an elaborate scheme involving
perfectly innocent people in the crime."
"H'm," said Gatton doubtfully; "it may be as you suggest; at any rate
it is a new point of view and one which I confess had not occurred to
me. There is one witness who can clear up any doubt on the subject."
"You mean Marie?"
"Exactly. She will lie, beyond doubt, but we shall find means to reach
the truth."
"Would it not be advisable, Inspector," I asked excitedly, "to make
sure of her at once?"
Gatton smiled grimly, and:
"Marie would have to make herself invisible to evade Scotland Yard
now," he replied. "She is being watched closely. But," he continued,
"what do you make of these marks on the door?"
We had reclosed the garage door and now were standing immediately
inside. The marks to which my companion had drawn my attention were
situated high up near the roof.
Public-domain text, read in full here on John Shaqi.
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