Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
“Can’t tell,” he muttered. “Can’t tell. Seemed bucked up a bit, of
course. Took notice, recognised him, and that’s something. But you can’t
tell....”
“She’ll live,” I said.
“I’m glad you’re so certain,” snapped the captain of men. “I’m so little
certain that I put that young man on his honour to look round again
to-morrow afternoon.”
“On his honour!” I said. “On his honour?”
“What’s the matter with his honour? Looks all right to me....”
“But he’s going South in the morning!”
“He mustn’t go!” snapped Masters. “That’ll be your job. We must give her
one more chance ... one more _piqure_. It’s essential that he shouldn’t
go to-morrow. You must prevent him.”
“I’ll try,” I said “But....”
“But surely he won’t _want_ to go!”
“Oh, _he_ won’t want to go....”
Masters stared at me thoughtfully. “Um,” he said. “Um.”
“Of course,” I said, “you never know....”
“Well,” said Masters, “now she’s seen him once she’ll expect to see him
again. It’s only natural.”
“Of course,” I said. “Naturally....”
Smoothly ran the Renault with the scarlet wheels. The black lion found
in us no little Citroën, cowered before us, slunk back into the jungle
of nameless boulevards. Montparnasse showed lights to hold us, faces in
cafés, singing groups of young men, little flashing women with lots of
hair like dyed haloes. Artists. Swiftly we fled through the darkness,
the stillness, the deep shadows of the phantom fortress of the Faubourg
Saint-Germain, away we went from the _ancien régime_, the _haute
noblesse_, across the river to the _nouveau régime_, the _noblesse_,
down the stately slope of the Avenue Hoche into the sweet valley of the
Parc Monceau, where lived the dashing Mrs. Conrad Masters, with bridge,
dancing, Parisian-Americans....
“You can’t,” that man muttered, “expect her to be reasonable....”
“No,” I said, “I suppose not....”
“Nice!” snapped Masters “Good God, ‘nice’!”
CHAPTER SEVEN: FOR VENICE!
I
Fat white clouds hurried over the pale blue roof of the rue de la Paix.
Spring, the first day before the first day of spring, the day that is
not spring but is a voice of spring crying in the wilderness of the
chilly heavens: “Here is spring, and lo! these are the clouds of winter
fleeing before her, white as polar bears, and as stupid. Enjoy, enjoy
_le printemps_!” Anxious the fat white clouds seemed, most anxious,
hurrying from the vanities of the rue de la Paix towards the Cathedral
of Our Lady, that they might pray, the poor clouds who know not that the
pagan gods are dead, the poor clouds, who love the winter, against the
return of Persephone from the arms of Plutus. The stormy brittle
sunlight, eager to play with the pearls and diamonds of Van Cleef,
Lacloche and Cartier, aye, and of Tecla also, chided away the fat white
clouds, and now the sun would play with one window of the rue de la
Paix, now with another, mortifying one, teasing another, but all in a
very handsome way.
Public-domain text, read in full here on John Shaqi.
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