Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
Early the next morning it was when I found myself looking upon these
mighty diversions, but I had so much rather been asleep. My bedroom
looked down on these things, but unfortunately not from a great height,
for they are not tall, the hotels of Paris; and men are sent round the
streets of Paris first thing in the morning, to the end that people may
not fail to be aware of the beauty of shuttered shops, some of these men
being directed to push along enormous tin barrels with which to make a
_carmagnole_ of dust, whilst others are placed on ancient taxi-cabs with
especially adjusted gears and magnified horn-power. There is no peace in
the world, that is what it is. There is no peace in Paris.
I lay in bed, staring through the lace curtains. What had happened, what
were the alarums and excursions of that grey day yesterday, which had
leapt at me from the darkness as I made to return to England after four
months of pleasant wandering? Iris was ill unto death, Napier was
enchanted....
Men, some in shirt-sleeves, were taking down the heavy, grey,
burglar-proof shutters of the shops opposite. Set in the small windows
above the shops, the modistes’ assistants seemed to be talking and
talking. Some had hats in their nimble hands, some other things. It is
pleasant, maybe it is the only pleasant pastime that does not ever pall,
to see and not be seen. And now the shop windows began one and all to
glitter in the stormy brittle sunlight which transmuted the pearls and
diamonds on yellow velvet into celestial jewels fit to adorn the crown
of the word _printemps_, than which there is not a more beautiful word
in all the languages of the world. In the great window of _Edouard Apel
et Cie._, whence in the long ago had come to this person such polite but
manly notepaper, stood richly white and coloured papers, boxes of
lacquer, ebony, and cedarwood, flaming quills and great cut-glass
bottles for ink, and many another devise to make one realise how
pleasant writing must be for those who do not have to write. Before a
shop not far from Tecla’s which displayed the most charming baubles of
all and completely deceived the sun, two short dark Semitic men and a
lanky Semitic youth were having some difficulty with their shutters. The
shutters did not look new, far from new, but maybe, I thought, a new
burglar-proof arrangement has been wrought on them, and that would be
causing the difficulty. The traffic had as yet but caressed the rue de
la Paix, and through the open window one might hear the rising anger of
the two short Semitic men with the lanky Semitic youth, an anger which
seemed to call for and to attain a cuneiform language. Then a fourth
man, also in shirt-sleeves, came out of the shop, a patriarchal mountain
of a man with a great black beard and a mighty nose, who might that very
moment have come from a breakfast of dates in a tent over against Ur of
the Chaldees, and instantly I knew him for what he was, a millionaire.
Public-domain text, read in full here on John Shaqi.
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