Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
the lives of the multitude of his fellows. Yes, I am of my time. And so
I had with this woman that profound sense of incapability, of defeat,
which any limited man must feel with a woman whose limitations he cannot
know. She was--in that phrase of Mr. Conrad’s which can mean so little
or so much--she was of all time. She was, when the first woman crawled
out of the mud of the primeval world. She would be, when the last woman
walks towards the unmentionable end.
“Good-bye,” I said, and then, as I looked from the disordered room and
my disenchanted life at her, the eyes in the shadow of the green hat
were brilliant with laughter, so that I was stunned. “Why are you
laughing?” I asked, or perhaps I did not ask that, perhaps she had not
been laughing at all, for when I was recovered from my stupor her eyes
were quite grave, and dark as in a crypt. I pushed open the door of my
room.
“How I would like,” she said, that husky voice, “a glass of cold water!”
That was what she said, and so I let her go in alone into the
sitting-room, whilst I turned on the tap in the bathroom. Fiercely and
long I let the water run, pleased with the way it was filling the little
house with its clean roar, pleased with the clean scent of the rushing
water, which is always like the scent of cool sunlight. Then she said:
“You have had a quick bath,” and so we became friends.
She stood among the littered books on the floor, looking round at the
disorder, like a tulip with a green head. She sipped the water, looking
round wisely over the rim of the tumbler. I explained that I was leaving
to-morrow, and therefore the disorder.
We talked.
In that disordered room, so littered with books that you might hardly
take a step without stumbling over one, it was not difficult to talk.
Indeed, it is never so easy to talk about books as when they are about
the floor, so that you may turn them over with your foot, see what they
are, pick them up and drop them anywhere with no precious nonsense as to
where they should exactly go.
She waved her glass of water about, sipping it. A drop of water clung
like a gem to the corner of her painted mouth. It was not fair.
Talking with her in that room was like talking with her as we walked on
a windy heath: she threw out things, you caught all you could of them,
you missed what you liked, and you threw something back. Now and then
something would turn up in a voice which was suddenly strong and clear,
and every time her voice was strong and clear you were so surprised that
you did not hear so well as when she spoke inaudibly. She had none of
the organised, agonised grimaces of the young lady of fashion. But one
knew she was not a young lady of fashion, for she hadn’t a sulky mouth.
Public-domain text, read in full here on John Shaqi.
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