Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
“Yes, I know. But why are they always so ugly? I mean, these people
called ‘satirists.’ One sees them abroad, at the Rotonde, or in Rome,
Florence....” I saw her among them, the small white face, the cool,
sensible, huge eyes, very attentive, deferring. “They marry plain, too.
Always. Invariably. Why? And man and wife hang on to each other like
grim death, despising everything hard. And they come out in spots. Why?
One just wonders.... It seems to need very ugly men with very
unattractive wives to despise things, to show us our ugliness. Has ever
any even fairly human-looking person ever been a ‘satirist’? But I
suppose if they weren’t so plain they wouldn’t have so much time to be
obscene on paper. Or am I talking nonsense?”
“It’s absurd,” I said, “to make it a question of looks----”
“But it makes me furious!” she said in that suddenly strong clear voice.
“These despisers. These grubby clever men with their grubby genius. The
heroes of the weekly reviews. Their impotent little obscenities. I’ve
tried to find, in knowing them and reading them, a great, real contempt,
something as fierce and clean as fire, a nightmare of contempt, so that
from the pillars of burning smoke we can build beings of better shape
than ourselves. I’ve read, watched, listened, wanting to know....”
I said things, too. But who am I? For instance, I said: “You don’t allow
to all men one common failing, which shows particularly when the men are
satirical writers: they must always write about women rather in the
spirit of uncleanminded undergraduates. You should be more tolerant,
Mrs. Storm....”
Public-domain text, read in full here on John Shaqi.
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