Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
Napier said in a scarcely audible voice: “Let Venice alone. I think she
is my only friend.” As he stepped into the room Iris made a step towards
him, two, three. Her eyes were dilated, beseeching. But never once,
since the shock of his first words had turned us to the windows, had he
taken his eyes from his father. The dark, fevered, lost eyes. He was
passing Iris. She snatched at his arm, pulled at him. “Napier, don’t,
don’t. Napier, please, my sweet! Venice, for pity’s sake stop him. You
don’t _know_ what he’s going to say!”
The thin white fingers of the so naked right hand were buried round the
black-covered arm, holding him in his stride; but still Napier looked
only at his father. His face was so white that we all looked red and
swollen. But Sir Maurice was not put out by his son’s fixed stare. He
had his black ebony paper-knife.
“Well, Naps? What does this mean?”
Iris cried: “Napier!” Then she turned passionately to Venice. “Don’t you
see, Venice! He doesn’t know what he’s saying!”
“It means, sir,” Napier said quietly, “that if you weren’t my father I
would call you a cad.”
“Don’t!” Hilary snapped. “Hm. Run away now, all of you. Together or
separate. Just run away.”
Iris pulled at Napier’s arm. He did not see her. He said very quietly,
his voice imperceptibly trembling: “Venice and I called after dinner at
Montpellier Square. Venice wished to say good-bye to Iris. What is
between Iris and Venice is their business. They make me feel a lout,
they make you look like.... We found Mrs. Oden upset. She said Iris had
come here, and....” His voice broke, and he passed a hand over his mouth
as though to steady it. He scowled.
Venice, still by the window, was wearing a leathercoat like Iris’s, but
it looked much newer and lighter. She had her hands dug deep into the
pockets. Iris cried: “Venice, for pity’s sake help me make Napier come
away! Oh, you don’t understand! He’s no idea what he’s saying!”
For the first time Napier took his eyes from his father. His mouth
twitched funnily, and he scowled. “Yes, I have, Iris. But I want to
clear up this business once and for all. It’s gone on long enough,
this--this Boy Fenwick business. What?”
“But, Napier, you promised!”
He scowled. “I don’t care, Iris. I’m awfully tired of all these
pretences. It can’t ... it can’t go on, this slandering of you. It
can’t. I can’t bear it. And the first thing I hear as I come into this
room is my father chucking that slime at you---”
“Napier, don’t you see that it’s me you hurt, not them! You hurt me
deeply, Napier. Listen to me, my dear, listen!”
But Napier seemed able to hear nothing, to see no one but his father.
Again he put his hand to his mouth to stop it twitching. Venice, a flame
in a leather jacket, suddenly threw an arm round Iris. “Darling,
darling, _darling_! How dared you come here! But how dared you! Oh!” she
stamped her foot, “these beasts of men, these beasts, beasts!”
Public-domain text, read in full here on John Shaqi.
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