Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
“Venice,” Guy murmured, “take these two children of yours away at once.
Go along now.”
Napier started at Guy’s voice. He had admired and worshipped Guy always.
Guy smiled faintly, helplessly, was about to say something when Napier
said bitterly: “Guy, I know it wasn’t your idea to bring Iris down here
and throw that mud at her. I know that----”
“It was mine,” Sir Maurice rapped out with the paper-knife. “And it’s
over now. You may go, Napier. I am asking you to go, boy! And you, Iris
March. You and I, Napier, must part from to-night. For some time, at
least. You will prefer that, too. You have every right to be angry with
me, according to your lights. I gambled--for your future, boy--and I
have lost. I am not sorry to have tried. I am sorry to have lost. Now
you may be as angry as you like--but go!”
Napier’s voice trembled: “Before I go, sir, I’d like to say----”
“Naps, enough of this!” Guy snapped. “The more we talk the worse we make
it. Go along, for God’s sake.”
Napier shouted: “I will not go!”
And in the deep, startled silence that must always follow a shout in an
English house, he said, livid quiet, to his father: “I’ve ceased to be a
boy of eighteen, sir. And I’ve ceased to want to be any of the things
you seem to admire. This last year it has seemed to me that not one of
the things that have made my life as you directed it have any reality.
You’ve only got to think once and the whole ghastly pretence of a life
like mine drops to the ground. And I’ve been trying lately to understand
the point of view that makes men admirable in your eyes, sir--and I
can’t get near it. It seems to mean sacrificing all the things that are
worth while to all the things that aren’t worth while. You sacrificed
Iris for what you call my future, my career. Weigh Iris on one side and
on the other my future, my career, now that I am thirty! You sacrificed
my happiness to the ghastly vanity of making our name something in this
world. You call that ‘working for my future,’ sir. And I call it the
cruel sort of humbug which has dragged God knows how many decent people
into a beastly, futile unhappiness. Here I am at thirty, a nothing
without even the excuse of being a happy nothing, a nothing liked by
other nothings and successful among other nothings, a nothing wrapped
round by the putrefying little rules of the gentlemanly tradition. And,
my God, they are putrefying, and I bless the England that has at last
found us out. And if they hadn’t been putrefying, sir, and if we hadn’t
been going rotten with them, you couldn’t have taken advantage of the
fact that Iris never funked anything in her life to bring her down here
and drag her through the slime----”
“Napier, you must allow me at least the quality of patience. My one
desire, boy, was to protect your happiness. I do not take what you say
in the least seriously, for it isn’t you speaking but Iris with your
voice. You are enchanted----”
Public-domain text, read in full here on John Shaqi.
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