Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
Then he plucked Ava Foe from a “dive” in San Francisco, she became Mrs.
Burton, and then he had every opportunity for judging the visionary
qualities of mental pain. That part was fiendishly well written, the
hell that Ava Burton gave him. But young Burton’s ideal of purity was,
naturally enough, schoolboy stuff: fine in parts, but stuff. The only
part of it that was good was that it was, somehow, purity. On the sexual
side young Burton deserved almost all he got from his, one thought,
unnecessarily callous young wife. In Ava Foe, I couldn’t help thinking
after the coming of the green hat, Gerald had let himself go about Iris.
I realised then how he must first have worshipped and then hated his
twin sister. What on earth, one wondered, could she have done to him to
make him hate her like that? Ava wasn’t in the least like her, of
course, but Ava might quite well have been like any sister to any
brother who hated her. But this fierce, devilish, mediæval passion--why?
Yet I should have guessed something of the reason after Iris had told me
that young Burton was “Boy,” Gerald’s hero of before the war. But it
never occurred to me to connect Iris’s casually dropped “Boy” with the
legendary Boy Fenwick of Careless-Days-Before-the-War fame. He will have
his place, that dead Boy Fenwick. A deep place.
“Felix Burton’s” idea of what a man should be to live nobly--he was full
of those large strivings of Young Men which were in vogue in the
Careless-Days-Before-the-War--seemed to take the form of wanting to
found a new race of something like potent eunuchs. Young Burton was, of
course, without the lusts of the body. Ava Foe wasn’t. Nor did young
Burton want any of your waste of time in graceful love-making; he
wanted a sort of ruthless companionship, with occasional patches of
mating; he did _not_ want to procreate gracefully, but with a sort of
furious absent-mindedness. Imagine Ava--Iris! Imagine Gerald himself
drawing the woman of his nightmares, that soft possible woman of lonely
dreams, detesting her for destroying him ... and for destroying Boy! One
wondered, in reading, if Gerald had ever known a woman. The dark knight
of purity ... the fallen knight of purity, but how fallen!
III
I did not see Gerald whilst I was shaking the dust of Shepherd’s Market
for ever off my feet, for he was still asleep. I left Shepherd’s Market.
The hearty-looking man and the thin wizened man who said “Oi!” and the
little bent old man with the blood-shot eyes gave me farewell.
That afternoon I snatched a few moments from the arranging of the new
place, which was only round the corner, to go round and tell Gerald that
his sister had been to see him on an Impulse. I had grown to feel
responsible for Gerald: his solitude was somehow like a scar across
one’s own life, a rebuke.
Public-domain text, read in full here on John Shaqi.
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