Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
Often, during these past eight or nine months, that scrawled writing
would pass my mind, but as I could hit on no clue to her fantasies, and
as I might never see her again, I had put Iris carefully away into that
part of our minds wherein we keep fancies, images, regrets, the things
that we will do one day, the things that we would like to do one day,
the things that we will never do again ... when, but a moment ago, the
great yellow car had leapt from the Place Vendôme into the first place
in my mind, and I would like, I thought, to learn from my friend,
Cherry-Marvel, anything that might be learnt about Iris. But as I
listened to him, the way he had said this and had done that and had
heard the other, I wondered how I would ever get the chance to suggest
so much as her name to him. “..._à propos_ of something which I am
positive that you, with your sort of mind....”
We stood, for we had not yet had time to sit down, in the little
reading-room of the Ritz that leads from the entrance-doors, while
stern-faced Americans turned over the pages of _The New York Herald_ on
the long marble-topped table in the centre, and a woman or two sat here
and there absorbed in waiting, and the dowager Lady Tekkleham’s voice
nearby was grimly suggesting to the Baron de Belus that he could not do
better than let her drive him in her coach-and-six to dinner at her
villa at Saint Germain-en-Laye.
Weighed down I was by the chill of my journey and my heavy coat, and
weighed down, too, by the gloom of the early winter evening that was
falling about us, so that my eyes, borne down by Cherry-Marvels
amenities, could scarcely make out the chairs and flowers and vases in
the long courtyard through the windows; and suddenly I fell to wondering
how it had come about that Iris, who loved her proud swift car, had lent
it to a friend, but the instant I mentioned her name Cherry-Marvel’s
little eyes gleamed with fury at the interruption. I was abashed, yet I
would try again, but ... “whereupon Auguste de Maupin, whom, of course,
you know as well as I do....”
But at last I achieved the impossible, in inserting a wedge into the
fabulous monologue, and then I murmured: “Ill? But are you sure, Cherry?
Mrs. Storm is ill?”
But illness appalled Cherry-Marvel, from illness he could not help but
turn away the neat, lined mask of his face, from illness his Florentine
_dandysme_ trembled away in the only unaristocratic emotion I have ever
observed in Cherry-Marvel, the emotion of fear. “Quiet we call Silence,
the merest word of all!” For, appalled by illness though he might be,
his art could always rise to a general view.... He had heard in a
roundabout way that Iris had had a “sort of minor operation----”
“But,” I said--
Public-domain text, read in full here on John Shaqi.
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