Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
“Whereupon,” said Cherry-Marvel, his little eyes gleaming for a second
with fury, “what _I_ said was, ‘Operations, where are thy stings?’ for,
as of course you know as well as I do, women are scarcely women without
them, and I have not the faintest doubt that in Lesbos they suffered, if
I may put it like this, from the impolite insistence of their womanhood
even more than if there had been any men there, for as I was saying to
Marc only the other day, _à propos_ of the particular shade in which she
had dyed her hair, men may come and men may go, but the moon, my dear
boy, is always there. Now here, for instance, is Iris, quite one of the
loveliest women I have ever seen, and one who, I am convinced, must be
very fond of you with your sort of mind, here she has, I hear on the
very best authority, fallen a victim to one of those mental derangements
which seem, if I may put it like this, to be an irresistible incitement
to polite surgery in quite another and more individual part of the
person. But what I have always said about Iris is this, that I admire
her so, and I am so positive that you also must, with your sort of mind,
because she is one of the very few Englishwomen I have ever met who can,
as I am sure you will agree with me, live abroad without becoming more
and more English....”
II
Paris rises in a cloud of chill darkness, the rain falls like whips of
ice, the street-lamps loiter on vague, bitter errands, confused strings
of light, a stealthy, idiot wind glories in being corrupted by corners.
The platforms of the omnibuses are packed tight with small men whose
overcoats are too short for them, the brims of their felt-hats too
narrow, their trousers turned up too high, their eyes too dark, their
faces too pale. The jargon of the traffic on the rue de Rivoli, as it
squabbles for every step between the deserted pavement beneath the
railings of the Tuileries and the reeking pavement under the long
archway lit by impudent shop-lights falling on imitation jewellery, is
multiplied an hundred-fold by the shrewish air into a noise that hurts
like warm water on a chill hand.
The taxi, a clever little Citroën taxi, darted hither and thither among
the squabbling hosts, and nimbly we capered across the dark face of the
Louvre, nimbly over the Pont Royal and the river paved with broken
darkness, and so down the slope into the rout of the Boulevard Raspail.
Maybe it is true that there are times when we can detest Paris more
deeply than any other city. Other cities stare back calmly at our sudden
hatreds, other cities grow more impersonal as we execrate them, while as
for Paris, she is always personal, but when we are nervous and detest
her for being Paris she becomes even more herself, she insists on being
herself with a nerveracking insistence, like a silly woman who, seeing
she is getting on her man’s nerves, gives a loud, nervous laugh and
simpers: “I can’t help it, it’s my nature to be like this....”
Public-domain text, read in full here on John Shaqi.
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