Then he saw she hadn't taken off quite all her foot. At the point where
her ankle should have been, her leg curved backward a trifle, then
sharply forward again, slimming down abruptly to end in a neat little
black hoof.
She stripped off the other stocking and shoe with the same result. Phil
could see how the foot fitted into a well in the dummy foot and the
platform, and was in that way concealed.
She danced exuberantly around the room. He could hear the clicks of
the little hoofs. He remembered how he'd heard her practicing tap. He
could see very distinctly her slim pasterns, her dainty fetlocks tufted
with fur exactly the same texture and blackness as her "undergarments."
She stopped dancing, took up an electric razor, and began critically to
shave the edge of her "undergarment."
Phil started to think in words. He got as far as "First a green cat,
then--" The next moment he turned and plunged for the door.
He wasn't very clear about anything for a while after that. For
instance, when he darted across the street two blocks away from the
Skyway Towers he was almost run down by a slowly moving black electric,
stylishly designed in the antique, museum-case style of the early
1900's. In it were sitting Cookie, the Akeleys and Swish Jack Jones
with a box on his lap. Phil didn't even recognize them at the time.
All he was really conscious of was what his hand clutched in his
pocket--the crumpled phonoscribe tape with Dr. Romadka's name and
address.
IV
The indicator light sped to the top of the tall column of studs, the
elevator whooshed to a stop, the door opened and Phil stumbled out into
a tiny foyer with carpeting like a gray lawn.
A wall--this one was female, a regular charmer--murmured, "Good
evening. You have an appointment?"
"Uh," Phil managed, rather surprised that he could speak at all.
"Do you have an appointment?" the wall repeated. "Please answer yes or
no."
"Yes," Phil said.
"May I have your name, please?"
"Phil Gish." As soon as the words were out of his mouth, he wondered
whether he shouldn't have said Jack Jones, but after humming delicately
for a moment the wall said, "How do you do, Mr. Gish. Please come in."
The wall slid open to a surrealist pear shape. Phil stepped through. A
sinuous arm, slim and glittering as a serpent, sprang from beside him
and indicated a nearby chair with the gracious wave of a hostess who
has studied ballet.
"Will you please sit down?" the wall suggested. "Dr. Romadka will be a
few secs."
Phil gulped. He had the feeling that if he strayed beyond the indicated
area of the room, the arm would do quite as efficient a job as had the
heavier one at the wrestling arena, although probably with an "Excuse
me, please," or even a "Now, Phil."
Public-domain text, read in full here on John Shaqi.
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