Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
She looked about the empty drawing-room, then hurried away through the
little wood. How unlike her to be late! She was always the first of the
party. But to-day she had been dreaming in her bedroom, sitting, with
her hands in her lap, looking out of the window, wondering, longing to
know ... No, she was not jealous. Her curiosity had no tinge of jealousy
in it. Why should she be jealous? Was not the thing over, closed? Had
not the woman herself dismissed him? That strange figure in that strange
country! The wild town, as he had described it, like a village with
towers and towers, gold and green and blue, and the carts with painted
roofs and the strange writing on the shop-walls ... and the woman
standing there, in the middle of it. This woman, who had known Philip
better than Katherine knew him, whom Philip had madly loved, who had
borne Philip a son. She was still living there, loving, now, perhaps
someone else, looking back perhaps with some scorn and some pity and
some affection to the days when Philip had kissed her, to the hour when
their son had died, to that first meeting in the strange country house,
where everyone might come and go as they pleased. No, there was no
jealousy; but Katherine wanted to have her there, standing in front of
her, so that she might study her clothes, her hair, her eyes. Here was a
woman whom Philip had madly loved—and he had ceased to love her. Well,
he might also cease to love Katherine. But that other woman had
dismissed him. Fancy dismissing him! When one had shared with him such
experiences how could one ever let him go?... Ah, what, _what_ was she
like? Was her voice soft or harsh? How did she look when Philip made
love to her? When Philip made love to her.... Yes, there was pain in
that.
Katherine hurried under the low porch of the church. She could hear the
voice: ‘Wherefore I pray and beseech you, as many as are here present,
to accompany me with a pure heart....’
As the congregation knelt she slipped into a seat at the back of the
church. She had always loved the shabby, ugly little place. It had, for
one thing, nothing to boast about—had no fine carvings like the Rafiel
Church, no splendid tombs like the two Dunstan St. Firths at Poloynt, no
wonderful glass like the Porthcullin memorial window at Borhaze; frankly
ugly, white-washed, with thin narrow grey glass in the side-walls and a
hideous purple Transfiguration above the altar, with plain, ugly seats,
a terrible modern lectern, a shabby nondescript pulpit, a font like an
expensive white sweet, and the most shining and vulgar brass tablet
commemorating the Garth heroes of the Boer War.
Public-domain text, read in full here on John Shaqi.
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