Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
“Phil. I do understand better than you think. But do you know what it
would mean if we were to run away now like this? My mother would never
forgive me. It would mean that I was throwing off everything—the place,
mother, all my life.... Of course I would throw it away for you if that
were the only course to take. But it isn’t the only course. You see life
exaggerated, Phil. Everything that happened yesterday has irritated you.
To-morrow—”
“To-morrow may be too late,” he answered her. “At least give my idea
half an hour, I’ll go off now for a walk by myself. In half an hour’s
time I’ll be back. Do your best for me.”
She looked at him, bent forward and kissed him.
“Yes, go—Come back in half an hour.”
She watched him climb the rocks, wind up the path, turn at the bend and
look back to her, then disappear. She sat down on the beach, rested her
elbows on her knees and looked out to sea. She was utterly alone: the
pool, now spun gold, beneath a sun that was slowly sinking to bars of
saffron, quivered only with the reaction of the retreating tide; the
rocks were black and sharp against the evening sky.
Katherine, as she sat there, had, at first, a desperate wish for the
help of some older person’s advice. It was not that she could, for an
instant, seriously contemplate this mad proposal of Philip’s—and yet he
had imparted to her some of his own fear and distrust of the possible
machinations of heaven. What he had said was true—that ever since he
had told her about Anna it had been as though they had taken some third
person into their lives—taken her unwillingly, almost unconsciously,
but nevertheless destructively. Then also, although Katherine had denied
it, she knew now that what he had said about the family was true. She
not only could not hope now that they and Philip would ever live happily
together—it was also the fact that they had changed. Her mother had
changed—her Aunts, her father, Millie, Henry—they had all
changed—changed to her and changed to themselves.
Katherine, moreover, now for the first time in her life criticised her
family—even her mother. She felt as though she and Philip had needed
help, and that the family, instead of giving it, had made difficulties
and trouble. Her mother had, deliberately, made trouble—had been hard
and unkind to Philip, had brought him to Garth that he might seem to
Katherine unsuited there, had put him into impossible positions and then
laughed at him. Her mother had come to her and asked her to give Philip
up; in retrospect that scene of yesterday afternoon seemed a deliberate
challenge—but a challenge offered behind Philip’s back.
Public-domain text, read in full here on John Shaqi.
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