Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
But now he could no longer hold aloof—he was in the middle of
something, as surely as though he had been plunged into a deep tab of
tossing, foaming water. Katherine ... Katie ... dear, devoted Katie ...
who had always loved him and done as he wished; Katie, nearest of all
human beings to his heart, and nearest because he had always known that
she cared for him more than for any other human being. And now it was
obvious that that was not so, it was obvious that she cared more for
that young man, that abominable young man.... O, damn it! damn it! _damn
it!_ Katherine was gone, and for no reason, for nothing at all except
pride and impatience. Already, as he sat there, he was wondering how
soon, by any means whatever, he could establish pleasant relations with
her, and so make his life comfortable once more. But, beyond Katherine,
there was his wife. What was he to do about Harriet? For so many years
now he had decided that the only way to deal comfortably with Harriet
was not to deal with her, and this had seemed to work so well ... but
now ... now ... he _must_ deal with her. He saw that she was in terrible
distress; he knew her well enough to be sure of that. He would have
liked to have helped and comforted her; it really distressed him to see
anyone in pain, but he discovered now, with a sharp surprise, that she
was a complete stranger, that he did not know any more about the real
Harriet Trenchard than he did about Lucy, the maid-servant. There was
approaching him that awful moment when he would be compelled to draw
close to her ... he was truly terrified of this.
It was a terrible dinner for all of them; once Lucy dropped a knife, and
they started, all of them, as though a bomb had screamed through the
ceiling. And perhaps, to the older ones, there was nothing in it more
alarming than the eyes, the startled, absorbed and challenging eyes, of
Millie and Henry....
Slowly, as the dinner progressed, old Mr. Trenchard discovered that
something was the matter. He discovered it as surely by the nervous
laughter and chatter of Aunt Betty as by the disconcerted discomfort of
his son George. His merriment fell away from him; he loved ‘Angels on
Horseback’—to-night there were ‘Angels on Horseback’, and he ate them
with a peevish irritation. Whatever was the matter now? He felt lost
without Sarah; _she_ knew when and why things were the matter more
quickly than anyone, aware of her deafness, would consider possible. But
before he was assisted from the table he was sure that the ‘something’
was connected with his dear Katherine.... The men did not stay behind
to-night. In the hall they were grouped together, on the way to the
drawing-room, waiting for the old man’s slow progress.
He paused suddenly beside the staircase.
“George,” he said, “George, just run up and see how Katie is. Give her
my love, will ’ee?”
George turned, his face white. Mrs. Trenchard said:
“She’s probably asleep, Father. With her headache—it would be a pity to
wake her.”
Public-domain text, read in full here on John Shaqi.
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