Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
Millie had made friends with a number of independent London ladies, who
thought Women’s Suffrage far beyond either cleanliness or Godliness. She
talked to Henry about her companions, who hoped for a new City in no
very distant future, very much as Henry’s friends at Cambridge did.
Only, the two Cities were very different. Even Katherine and Philip were
concerned in some Society for teaching poor women how to manage their
children, and Philip was also interested in a new Art, in which young
painters produced medical charts showing the internal arrangements of
the stomach, and called them “Spring on the Heath” or “Rome—Midday.”
And through all the middle-class families in England these things were
occurring. “Something is coming....” “Something is coming....” “Look
out....” “Look out....”
This was in 1903. Henry, Millie, Katherine had still eleven years to
wait for their revolution, but in at least one corner of happy England
the work of preparation had been begun.
The door opened, and Henry’s reveries were interrupted by the entrance
of Millie. He started, and then jumped up on seeing her; for a moment,
under the power of his thoughts, he had forgotten his news; now he
stammered with the importance of it.
“Millie!” he cried.
“Hullo, Henry,” she said, smiling. “We expected you hours ago.”
He dropped his voice. “I’ve been round to see Katie. Look here, Millie,
it’s most important. She’s coming here to see Mother.”
Millie glanced behind. They carried on then the rest of their
conversation in whispers.
“To see Mother?”
“Yes. She can’t bear waiting any longer. She felt that she _must_ be
here on Grandfather’s birthday.”
“But—but—”
“Yes, I know. But she thinks that if she sees Mother alone and she can
show her that nothing’s changed—”
“But _everything’s_ changed. She doesn’t _know_ how different Mother
is.”
“No, but she thinks if they both _see_ one another—at any rate she’s
going to try.”
“Now?”
“Yes. In a few minutes. I’ll go up and just tell Mother that there’s a
caller in the drawing-room. Then leave them alone together—”
Millie sighed. “It would be too lovely for anything if it really
happened. But it won’t—it can’t. Mother’s extraordinary. I don’t
believe she ever loved Katie at all, at least only as an idea. She’ll
_never_ forgive her—_never_—and she’ll always hate Philip.”
“How’s Grandfather?”
“Very bad. He says he _will_ come down to-night, although it’ll probably
kill him. However, now they’ve arranged that his presents shall be in
the little drawing-room upstairs. Then he won’t have so far to go. He’s
awfully bad, really, and he’s as hard about Katie as Mother is. He won’t
have her name mentioned. It’s simply, _I_ believe, that it’s terrible to
him to think that she could love Philip better than him!”
“And how’s everyone else?”
Public-domain text, read in full here on John Shaqi.
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