Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
“Oh, well, it’s all right, I suppose. But it isn’t very nice. I’m going
off to live with Miss Emberley as soon as they’ll let me. Aunt Aggie’s
been _awful_. And then one day she went suddenly to see Katie, and
Mother found out somehow. Mother never said anything, but Aunt Aggie’s
going to take a flat by herself somewhere. And since that she’s been
nicer than I’ve ever known her. Quite soft and good-tempered.”
“Does Mother know that we all go to see Katie?”
“Sometimes I think she does—sometimes that she doesn’t. She never says
a word. She seems to think of nothing but improving the place now. She
must be very lonely, but she doesn’t show anyone anything. All the same
it’s impossible without Katie—I—”
At that moment the bell of the hall-door rang. They stood silently there
listening.
For a moment they stared at one another, like conspirators caught in the
act of their conspiracy. The colour flooded their cheeks; their hearts
beat furiously. Here and now was Drama.
They heard Rocket’s footstep, the opening door, Katherine’s voice. They
fled from the room before they could be seen.
Katherine, when she stood alone in the room in whose life and intimacy
she had shared for so many years, stared about her as though she had
been a stranger. There was a change; in the first place there was now
her own room, made for her and for Philip, that absorbed her mind; in
comparison with it this room, that had always appeared to her
comfortable, consoling, protective, was now old-fashioned and a little
shabby. There were too many things scattered about, old things, neither
beautiful nor useful. Then the place itself did not seem to care for her
as it had once done. She was a visitor now, and the house knew it. Their
mutual intimacy had ceased.
But she could not waste many thoughts upon the room. This approaching
interview with her mother seemed to her the supreme moment of her life.
There had been other supreme moments during the past year, and she did
not realise that she was now better able to deal with them than she had
once been. Nevertheless her mother _must_ forgive her. She would not
leave the house until she had been forgiven. She was hopeful. The
success of her marriage had given her much self-confidence. The way that
the family had, one after another, come to see her (yes, even Aunt
Aggie) had immensely reassured her. Her mother was proud; she needed
that submission should be made to her.
Katherine was here to make it. Her heart beat thickly with love and the
anticipated reconciliation.
Public-domain text, read in full here on John Shaqi.
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