Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
“Of course,” he said, “I know. As to myself, it’s natural enough. At
present I miss Moscow—but that will be all right soon.”
She came a little closer to him, and her eyes were so kindly that he
looked down upon the ground lest his own eyes should betray him.
“Look here—come to us whenever you like. Why, all this time, have you
kept away? Wasn’t it what you were always telling us about your friends
in Moscow that their houses were open to everyone always? You must miss
that. Don’t be lonely whatever you do. There are ever so many of us, and
some of us are sure to be in.”
“I will,” he said, stammering, “I will.”
“Henry’s always asking questions about Russia now. You’ve had a great
effect upon him, and he wants you to tell him ever so much more. Then
there’s Millie. She hasn’t seen you at all yet. You’ll like her so much.
There’s Vincent coming back from Eton. Don’t be lonely or homesick. I
know how miserable it is.”
They were in the Square by the Church outside her house; above the grey
solid building the sky had been torn into streaming clouds of red and
gold.
He took her hand and held it, and suddenly as she felt his pressure the
colour flooded her face; she strove to beat it down—she could not. She
tried to draw her hand away—but her own body, as though it knew better
than she, defied her. She tried to speak—no words would come.
She tried to tell him with her eyes that she was indifferent, but her
glance at him showed such triumph in his gaze that she began to tremble.
Then he released her hand. She said nothing—only with quick steps
hurried into the house. He stood there until she had disappeared, then
he turned round towards his rooms.
He strode down Victoria Street in such a flame of exultation as can
flare this World into splendour only once or twice in a lifetime. It was
the hour when the lights come out, and it seemed to him that he himself
flung fire here, there, for all the world to catch, now high into a
lamp-post, now low beneath some basement window, now like a cracker upon
some distant trees, now, high, high into the very evening blue itself.
The pavement, the broad street, the high, mysterious buildings caught
and passed the flame from one to another.
An ancient newspaper man, ragged in a faded tail coat, was shouting
“Finals! Finals! All the Finals!” but to Philip’s ear he was
saying—“She cares for you! she cares for you! Praise God! What a world
it is.”
Public-domain text, read in full here on John Shaqi.
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