Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
There was a thing that began now to happen to Katherine of which she
herself was only very dimly perceptive. She began to be aware of the
living, actual participation in her life of the outside, abstract world.
It was simply this—that, because so wonderful an event had transformed
her own history, so also to everyone whom she saw, she felt that
something wonderful must have happened. It came to more than this; she
began now to be aware of London as something alive and perceptive in the
very heart of its bricks and mortar, something that knew exactly her
history and was watching to see what would come of it. She had always
been concerned in the fortunes of those immediately about her—in the
villages of Garth, in all her Trenchard relations—but they had filled
her world. Now she could not go out of the Westminster house without
wondering—about the two old maids in black bonnets who walked up and
down Barton Street, about a tall gentleman with mutton-chop whiskers and
a white bow, whom she often saw in Dean’s Yard, about a large woman with
a tiny dog and painted eyebrows, about the young man with the bread, the
young man with the milk, the very trim young man with the post, the very
fat young man with the butcher’s cart, the two smart nursemaids with the
babies of the idle rich, who were always together and deep in whispered
conversation; the policeman at the right corner of the Square, who was
friendly and human, and the policeman at the left corner who was not;
the two young men in perfect attire and attaché cases who always lounged
down Barton Street about six o’clock in the evening with scorn for all
the world at the corners of their mouths, the old man with a brown
muffler who sold boot laces at the corner of Barton Street, and the
family with the barrel-organ who came on Friday mornings (man once been
a soldier, woman pink shawl, baby in a basket), a thick-set, grave
gentleman who must be somebody’s butler, because his white shirt was so
stiff and his cheeks blue-black from shaving so often, a young man
always in a hurry and so untidy that, until he came close to her,
Katherine thought he must be Henry ... all those figures she had known
for years and years, but they had been only figures, they had helped to
make the pattern in the carpet, shapes and splashes of colour against
the grey.
Public-domain text, read in full here on John Shaqi.
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