Reluctantly Green told his rickshaw boy to turn around. The boy,
grinning, did so. Like everybody else along the harbor front he knew
Amra and was familiar with her relations with Green. She held their
one-year-old daughter in her arms, cradled against her magnificent
bosom. Behind her stood her other five children, her two sons by the
Duke, her daughter by a visiting prince, her son by the captain of a
Northerner ship, her daughter by a temple sculptor. Her rise and fall
and slow rise again was told in the children around her; the tableau
embodied an outline of the structure of the planet's society.
3
Her mother had been a Northerner slave; her father, a native freeman,
a wheelwright. When she was five years old they had died in a plague.
She had been transferred to the Pens and raised by her aunt. When she
was fifteen her beauty had attracted the Duke and he had installed
her in the palace. There she gave birth to his two sons, now ten and
eleven, who would soon be taken away from her and raised in the Duke's
household as free and petted servants.
The Duke had married the present Duchess several years after his
liaison with Amra began and her jealousy had forced him to get rid of
Amra. Back to the Pens she had gone; perhaps the Duke had not been
too sad to see her go, for living with her was like living with a
hurricane, and he liked peace and quiet too well.
Then, in accordance with the custom, she had been recommended by the
Duke to a visiting prince; the prince had overstayed his leave from
his native country because he hated to part with her, and the Duke had
wanted to give her as a present. But here he'd overstepped his legal
authority. Slaves had certain rights. A woman who had borne a citizen a
child could not be shipped away or sold unless she gave her permission.
Amra didn't choose to go, so the sorrowing prince had gone home, though
not without leaving a memento of his visit behind him.
The captain of a ship had purchased her, but here again the law came
to her rescue. He could not take her out of the country, and she again
refused to leave. By now she had purchased several businesses--slaves
were allowed to hold property and even have slaves of their own--and
she knew that her two boys by the Duke would be valuable later on, when
they'd go to live with him.
The temple sculptor had used her as his model for his great marble
statue of the goddess of Fertility. Well he might, for she was a
magnificent creature, a tall woman with long, richly auburn hair, a
flawless skin, large russet brown eyes, a mouth as red and ripe as a
plum, breasts with which neither child nor lover could find fault, a
waist amazingly slender considering the rest of her curved body and her
fruitfulness. Her long legs would have looked good on an Earthwoman and
were even more outstanding among a population of club-ankled females.
Public-domain text, read in full here on John Shaqi.
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