The Grey Woman and other TalesGaskell, Elizabeth Cleghorn
General
The Grey Woman and other Tales
Gaskell, Elizabeth Cleghorn
England -- Social life and customs -- 19th century -- Fiction; Short stories
feeling that all the domestics, except Amante, were spies upon me, and
that I was trammelled in a web of observation and unspoken limitation
extending over all my actions.
There was a light in the upper room; we paused, and Amante would have
again retreated, but I was chafing under the delays. What was the
harm of my seeking my father’s unopened letter to me in my husband’s
study? I, generally the coward, now blamed Amante for her unusual
timidity. But the truth was, she had far more reason for suspicion as
to the proceedings of that terrible household than I had ever known
of. I urged her on, I pressed on myself; we came to the door, locked,
but with the key in it; we turned it, we entered; the letters lay on
the table, their white oblongs catching the light in an instant, and
revealing themselves to my eager eyes, hungering after the words of
love from my peaceful, distant home. But just as I pressed forward
to examine the letters, the candle which Amante held, caught in some
draught, went out, and we were in darkness. Amante proposed that we
should carry the letters back to my salon, collecting them as well
as we could in the dark, and returning all but the expected one for
me; but I begged her to return to my room, where I kept tinder and
flint, and to strike a fresh light; and so she went, and I remained
alone in the room, of which I could only just distinguish the size,
and the principal articles of furniture: a large table, with a deep,
overhanging cloth, in the middle, escritoires and other heavy articles
against the walls; all this I could see as I stood there, my hand on
the table close by the letters, my face towards the window, which,
both from the darkness of the wood growing high up the mountain-side
and the faint light of the declining moon, seemed only like an oblong
of paler purpler black than the shadowy room. How much I remembered
from my one instantaneous glance before the candle went out, how much
I saw as my eyes became accustomed to the darkness, I do not know,
but even now, in my dreams, comes up that room of horror, distinct
in its profound shadow. Amante could hardly have been gone a minute
before I felt an additional gloom before the window, and heard soft
movements outside—soft, but resolute, and continued until the end was
accomplished, and the window raised.
Public-domain text, read in full here on John Shaqi.
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