Fantasy fiction; Horror tales; Louisiana -- Fiction
The young pines had even invaded the once generous lawns. The whole
place wore an aspect of decay. Behind the Manor, the barns, and
outhouses which once housed slave families, were crumbling in ruin.
The mansion itself seemed to totter above the litter, a creaky giant,
rat-gnawed and rotting, ready to collapse at any untoward event. With
the stealthy tread of a tiger Bristol McGrath approached a window on
the side of the house. From that window sounds were issuing that were
an affront to the tree-filtered sunlight and a crawling horror to the
brain.
Nerving himself for what he might see, he peered within.
_2. Black Torture_
He was looking into a great dusty chamber which might have served as a
ballroom in ante-bellum days; its lofty ceiling was hung with cobwebs,
its rich oak panels showed dark and stained. But there was a fire in
the great fireplace--a small fire, just large enough to heat to a white
glow the slender steel rods thrust into it.
But it was only later that Bristol McGrath saw the fire and the things
that glowed on the hearth. His eyes were gripped like a spell on the
master of the Manor; and once again he looked on a dying man.
A heavy beam had been nailed to the paneled wall, and from it jutted a
rude cross-piece. From this cross-piece Richard Ballville hung by cords
about his wrists. His toes barely touched the floor, tantalizingly,
inviting him to stretch his frame continually in an effort to relieve
the agonizing strain on his arms. The cords had cut deeply into his
wrists; blood trickled down his arms; his hands were black and swollen
almost to bursting. He was naked except for his trousers, and McGrath
saw that already the white-hot irons had been horribly employed. There
was reason enough for the deathly pallor of the man, the cold beads of
agony upon his skin. Only his fierce vitality had allowed him thus long
to survive the ghastly burns on his limbs and body.
On his breast had been burned a curious symbol--a cold hand laid itself
on McGrath's spine. For he recognized that symbol, and once again his
memory raced away across the world and the years to a black, grim,
hideous jungle where drums bellowed in fire-shot darkness and naked
priests of an abhorred cult traced a frightful symbol in quivering
human flesh.
Between the fireplace and the dying man squatted a thick-set black man,
clad only in ragged, muddy trousers. His back was toward the window,
presenting an impressive pair of shoulders. His bullet-head was set
squarely between those gigantic shoulders, like that of a frog, and he
appeared to be avidly watching the face of the man on the cross-piece.
Public-domain text, read in full here on John Shaqi.
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