The Grotesque in Church ArtWildridge, T. Tindall (Thomas Tindall)
History
The Grotesque in Church Art
Wildridge, T. Tindall (Thomas Tindall)
Christian art and symbolism; Church decoration and ornament; Grotesque
A large number of the forms met in architectural ornament, it may be
fittingly reiterated, have a more or less close connection with the
worships which existed in times long prior to Christianity. A portion of
them was continuously used simply because the masons were accustomed to
them, or in later Gothic on account of the universal practice of copying
existing works; unless we can take it for granted in place of that
practice, that there existed down to Reformation days "portfolios" of
carver's designs which were to the last handed down from master to
apprentice, as must have undoubtedly been the case in earlier times. Other
portions of the ancient worship designs are found in Christian art because
they were received and grafted upon the symbolic system of the Church's
teaching. The retention of these fragments of superseded paganism does not
always appear to have been of deliberate or willing intention. The early
days of the Church even after its firm establishment, were much occupied
in combating every form of paganism. The converts were constantly lapsing
into their old beliefs, and the thunders of the early ecclesiastical
councils were as constantly being directed against the ancient
superstitions. Sufficient remains on record to shew how hard the gods
died.
To near the end of the fourth century the chief intelligence of Rome
publicly professed the Olympic faith. With the next century, however,
commenced a more or less determined programme of persecutory repression.
Thus, councils held at Arles about 452 ruled that a bishop was guilty of
sacrilege who neglected to extirpate the custom of adoring fountains,
trees, and stones. At that of Orleans in 533 Catholics were to be
excommunicated who returned to the worship of idols or ate flesh offered
to idols. At Tours in 567 several pagan superstitions were forbidden, and
at Narborne in 590; freemen who transgressed were to have penance, but
slaves to be beaten. At Nicea in 681 image worship was allowed of
Christ.[2] At Augsburgh (?) in 742 the Count Gravio was associated with
the Bishop to watch against popular lapses into paganism. In 743 Pepin
held a council in which he ruled, as his father had done before, that he
who practised any pagan rites be fined 15 sous (15/22 of a livre). To the
orders was attached the renunciation, in German, of the worship of Odin by
the Saxons, and a list of the pagan superstitions of the Germans. The
Council of Frankfort in 794 ordered the sacred woods to be destroyed.
Constantinople had apparently already not only become a channel for the
conveyance of oriental paganism in astro-symbolic images, but was also
evidently nearer to the lower idolatry of heathenism than the Church of
the West. Thus we find the bishops of Gaul, Germany, and Italy in council
at Frankfort, rejecting with anathema, and as idolatrous, the doctrines of
the Council of Constantinople upon the worship of images.
Public-domain text, read in full here on John Shaqi.
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