My companion, however, at length
espied a thin wreath of smoke issuing from a small clay-built hut
thatched with furze, built against the steepest part of the hill, of
which it seemed a mere excrescence, about half way down the declivity;
and, on calling aloud, two children, who had been picking up dry stumps
of heath and gorse, and collecting them in a heap for fuel at the door
of their hovel, first carefully deposited their little load, and then
came running to know what we wanted.
If we had wondered to see human beings living in a habitation, which,
both for space and appearance, would have been despised by a pig of any
pretension, as too small and too mean for his accommodation, so we were
again surprised at the strange union of poverty and content evinced
by the apparel and countenances of its young inmates. The children,
bareheaded and barefooted, and with little more clothing than one
shabby-looking garment, were yet as fine, sturdy, hardy, ruddy, sunburnt
urchins, as one should see on a summer day. They were clean, too: the
stunted bit of raiment was patched, but not ragged; and when the girl,
(for, although it was rather difficult to distinguish between the
brother and sister, the pair were of different sexes,) when the
bright-eyed, square-made, upright little damsel clasped her two brown
hands together, on the top of her head, pressed down her thick curls,
looking at us and listening to us with an air of the most intelligent
attention that returned our curiosity with interest; and when the boy,
in answer to our inquiry if he could hold a horse, clutched the reins
with his small fingers, and planted himself beside our high-mettled
steed with an air of firm determination, that seemed to say, "I'm
your master! Run away if you dare!" we both of us felt that they were
subjects for a picture, and that, though Sir Joshua might not have
painted them, Gainsborough and our own Collins would.
Public-domain text, read in full here on John Shaqi.
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