CHAPTER III MORALITIES AND INTERLUDES 51 CHAPTER IV RISE OF COMEDY AND TRAGEDY 87 CHAPTER V COMEDY: LYLY, GREENE, PEELE, NASH 124 CHAPTER VI TRAGEDY: LODGE, KYD, MARLOWE, _Arden of Feversham_ 193 APPENDIX THE ELIZABETHAN STAGE 270 INDEX 277 CHAPTER I EARLY CHURCH DRAMA ON THE CONTINENT The old Classical Drama of Greece and Rome died, surfeited with horror and uncleanness. Centuries rolled by, and then, when the Old Drama was no more remembered save by the scholarly few, there was born into the world the New Drama. By a curious circumstance its nurse was the same Christian Church that had thrust its predecessor into the grave. A man may dig his spade haphazard into the earth and by that act liberate a small stream which shall become a mighty river. Not less casual perhaps, certainly not less momentous in its consequences, was the first attempt, by some enterprising ecclesiastic, to enliven the hardly understood Latin service of the Church. Who the innovator was is unrecorded. The form of his innovation, however, may be guessed from this, that even in the fifth century human tableaux had a place in the Church service on festival occasions. All would be simple: a number of the junior clergy grouped around a table would represent the 'Marriage at Cana'; a more carefully postured group, again, would serve to portray the 'Wise Men presenting gifts to the Infant Saviour'. But the reality was greater than that of a painted picture; novelty was there, and, shall we say, curiosity, to see how well-known young clerics, members of local families, would demean themselves in this new duty. The congregations increased, and earnest or ambitious churchmen were incited to add fresh details to surpass previous tableaux.