English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism; English drama -- To 1500 -- History and criticism
Because, in _Cambyses_, we know so
little more of the boy and his mother than her grief, his murder fails
as tragedy; but had Arthur indulged a little in such grief as her's, how
much more moving would have been the tragedy of _The Misfortunes of
Arthur_! But this was not the way of the Senecan school. Everywhere we
find the same preference, as in _Gorboduc_, for broad argument and
easily detachable expressions of philosophic wisdom. What shall be said
of the style of language and verse? This much in praise, that Blank
Verse is retained. But--and the thoughtful reader will discern that the
same fatal influence is at work here as elsewhere--Hughes relapses,
deliberately, into the artificial speech of _Appius and Virginia_.
Alliteration charms him with its too artful aid. Nowhere has R.B. such
rant as falls from the pen of Hughes. In the last battle between Arthur
and Mordred 'boist'rous bangs with thumping thwacks fall thick', while
the younger leader rages over the field 'all fury-like, frounc'd up with
frantic frets'. Guenevera revives her declining wrath with this
invocation of supernatural aid:
Come, spiteful fiends, come, heaps of furies fell,
Not one by one, but all at once! my breast
Raves not enough: it likes me to be fill'd
With greater monsters yet. My heart doth throb,
My liver boils: somewhat my mind portends,
Uncertain what; but whatsoever, it's huge.
A fairer example, however, of Hughes's style may be taken from Cador's
speech urging Arthur to adopt severe measures against Mordred (_Act III,
Scene 1_):
No worse a vice than lenity in kings;
Remiss indulgence soon undoes a realm.
He teacheth how to sin that winks at sins,
And bids offend that suffereth an offence.
The only hope of leave increaseth crimes,
And he that pardoneth one, embold'neth all
To break the laws. Each patience fostereth wrong.
But vice severely punish'd faints at foot,
And creeps no further off than where it falls.
One sour example will prevent more vice
Than all the best persuasions in the world.
Rough rigour looks out right, and still prevails:
Smooth mildness looks too many ways to thrive.
Wherefore, since Mordred's crimes have wrong'd the laws
In so extreme a sort, as is too strange,
Let right and justice rule with rigour's aid,
And work his wrack at length, although too late;
That damning laws, so damned by the laws,
He may receive his deep deserved doom.
So let it fare with all that dare the like:
Let sword, let fire, let torments be their end.
Severity upholds both realm and rule.
Public-domain text, read in full here on John Shaqi.
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