Autobiographical fiction; France -- Social life and customs -- Fiction
Now that to the measured conversations of the diplomats, to the smiling
arts of peace had succeeded the furious onthrust of war, since blows
lead to blows, I should not have been surprised to see the combatants
swimming in one another’s blood. But what I could not understand (like
people who feel that it is not according to the rules when a war breaks
out between two countries after some question merely of the
rectification of a frontier, or when a sick man dies after nothing more
serious than a swelling of the liver) was how Saint-Loup had contrived
to follow up those words, which implied a distinct shade of
friendliness, with an action which in no way arose out of them, which
they had not, so to speak, announced, that action of an arm raised in
defiance not only of the rights of man but of the law of cause and
effect, that action created _ex nihilo_. Fortunately the journalist who,
staggering back from the violence of the blow, had turned pale and
hesitated for a moment, did not retaliate. As for his friends, one of
them had promptly turned away his head and was looking fixedly into the
wings for some one who evidently was not there; the second pretended
that a speck of dust had got into his eye, and began rubbing and
squeezing his eyelid with every sign of being in pain; while the third
had rushed off, exclaiming: “Good heavens, I believe the curtain’s going
up; we shan’t get into our seats.”
I wanted to speak to Saint-Loup, but he was so full of his indignation
with the dancer that it adhered exactly to the surface of his eyeballs;
like a subcutaneous structure it distended his cheeks with the result
that, his internal agitation expressing itself externally in an entire
immobility, he had not even the power of relaxation, the “play”
necessary to take in a word from me and to answer it. The journalist’s
friends, seeing that the incident was at an end, gathered round him
again, still trembling. But, ashamed of having deserted him, they were
absolutely determined that he should be made to suppose that they had
noticed nothing. And so they dilated, one upon the speck of dust in his
eye, one upon his false alarm when he had thought that the curtain was
going up, the third upon the astonishing resemblance between a man who
had just gone by and the speaker’s brother. Indeed they seemed quite to
resent their friend’s not having shared their several emotions.
“What, didn’t it strike you? You must be going blind.”
“What I say is that you’re a pack of curs,” growled the journalist whom
Saint-Loup had punished.
Forgetting the poses they had adopted, to be consistent with which they
ought—but they did not think of it—to have pretended not to understand
what he meant, they fell back on certain expressions traditional in the
circumstances: “What’s all the excitement? Keep your hair on, old chap.
Don’t take the bit in your teeth.”
Public-domain text, read in full here on John Shaqi.
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