Autobiographical fiction; France -- Social life and customs -- Fiction
divided in this way into contrasted periods, the last being entirely
devoted to the reconquest of what in the second has been so
light-heartedly flung on the wind. Flung on the wind in what way? The
young people are all the less capable of imagining it, since they see
before them an elderly and respectable Marquise de Villeparisis and have
no idea that the grave diarist of the present day, so dignified beneath
her pile of snowy hair, can ever have been a gay midnight-reveller who
was perhaps the delight in those days, devoured the fortunes perhaps of
men now sleeping in their graves; that she should also have set to work,
with a persevering and natural industry, to destroy the position which
she owed to her high birth does not in the least imply that even at that
remote period Mme. de Villeparisis did not attach great importance to
her position. In the same way the web of isolation, of inactivity in
which a neurasthenic lives may be woven by him from morning to night
without therefore seeming endurable, and while he is hastening to add
another mesh to the net which holds him captive, it is possible that he
is dreaming only of dancing, sport and travel. We are at work every
moment upon giving its form to our life, but we do so by copying
unintentionally, like the example in a book, the features of the person
that we are and not of him who we should like to be. The disdainful bow
of Mme. Leroi might to some extent be expressive of the true nature of
Mme. de Villeparisis; it in no way corresponded to her ambition.
Public-domain text, read in full here on John Shaqi.
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