Autobiographical fiction; France -- Social life and customs -- Fiction
least seventy, with an air of lofty distinction, who entertains everyone
she can but not everyone she would like to have, to whose house women
will never consent to go whose own conduct falls in any way short of
perfection, to whom the Pope regularly sends his Golden Rose, and who as
often as not has written—on the early days of Lamartine—an essay that
has been crowned by the French Academy. “How d’ye do, Alix?” Mme. de
Villeparisis greeted the Marie-Antoinette lady, which lady cast a
searching glance round the assembly to see whether there was not in this
drawing-room any item that might be a valuable addition to her own, in
which case she would have to discover it for herself, for Mme. de
Villeparisis, she was sure, would be spiteful enough to try to keep it
from her. Thus Mme. de Villeparisis took good care not to introduce
Bloch to the old lady for fear of his being asked to produce the same
play that he was arranging for her in the drawing-room of the Quai
Malaquais. Besides it was only tit for tat. For, the evening before, the
old lady had had Mme. Ristori, who had recited, and had taken care that
Mme. de Villeparisis, from whom she had filched the Italian artist,
should not hear of this function until it was over. So that she should
not read it first in the newspapers and feel annoyed, the old lady had
come in person to tell her about it, shewing no sense of guilt. Mme. de
Villeparisis, considering that an introduction of myself was not likely
to have the same awkward results as that of Bloch, made me known to the
Marie-Antoinette of the Quai Malaquais. The latter, who sought, by
making the fewest possible movements, to preserve in her old age those
lines, as of a Coysevox goddess, which had years ago charmed the young
men of fashion and which spurious poets still celebrated in rhymed
charades—and had acquired the habit of a lofty and compensating
stiffness common to all those whom a personal degradation obliges to be
continually making advances—just perceptibly lowered her head with a
frigid majesty, and, turning the other way, took no more notice of me
than if I had not existed. By this crafty attitude she seemed to be
assuring Mme. de Villeparisis: “You see, I’m nowhere near him; please
understand that I’m not interested—in any sense of the word, you old
cat—in little boys.” But when, twenty minutes later, she left the room,
taking advantage of the general conversation, she slipped into my ear an
invitation to come to her box the following Friday with another of the
three, whose high-sounding name—she had been born a Choiseul,
moreover—had a prodigious effect on me.
Public-domain text, read in full here on John Shaqi.
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