Autobiographical fiction; France -- Social life and customs -- Fiction
Interested by these idiosyncrasies of Bergotte, she did not, however,
appear to consider them reprehensible, and seemed rather to find a
certain merit in them, though she would have been put to it to say of
what sort. Despite this unusual mode of appreciating Bergotte’s
originality, it was a fact which I was later on not to regard as wholly
negligible that Mme. de Guermantes, greatly to the surprise of many of
her friends, did consider Bergotte more witty than M. de Bréauté. Thus
it is that such judgments, subversive, isolated, and yet after all just,
are delivered in the world of fashion by those rare minds that are
superior to the rest. And they sketch then the first rough outlines of
the hierarchy of values as the next generation will establish it,
instead of abiding eternally by the old standards.
The Comte d’Argencourt, Chargé d’Affaires at the Belgian Legation and a
remote connexion of Mme. de Villeparisis, came limping in, followed
presently by two young men, the Baron de Guermantes and H. H. the Duc de
Châtellerault, whom Mme. de Guermantes greeted with: “How d’ye do, young
Châtellerault,” in a careless tone and without moving from her tuffet,
for she was a great friend of the young Duke’s mother, which had given
him a deep and lifelong respect for her. Tall, slender, with golden hair
and sunny complexions, thoroughly of the Guermantes type, these, two
young men looked like a condensation of the light of the spring evening
which was flooding the spacious room. Following a custom which was the
fashion at that time they laid their silk hats on the floor, by their
feet. The historian of the Fronde thought that they were embarrassed,
like a peasant coming into the mayor’s office and not knowing what to do
with his hat. Feeling that he ought in charity to come to the rescue of
the awkwardness and timidity which he ascribed to them:
“No, no,” he said, “don’t leave them on the floor, they’ll be trodden
on.”
A glance from the Baron de Guermantes, tilting the plane of his pupils,
shot suddenly from them a wave of pure and piercing azure which froze
the well-meaning historian.
“What is that person’s name?” I was asked by the Baron, who had just
been introduced to me by Mme. de Villeparisis.
“M. Pierre,” I whispered.
“Pierre what?”
“Pierre: it’s his name, he’s a historian, a most distinguished man.”
“Really? You don’t say so.”
“No, it’s a new fashion with these young men to put their hats on the
floor,” Mme. de Villeparisis explained. “I’m like you, I can never get
used to it. Still, it’s better than my nephew Robert, who always leaves
his in the hall. I tell him when I see him come in that he looks just
like a clockmaker, and I ask him if he’s come to wind the clocks.”
Public-domain text, read in full here on John Shaqi.
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