Autobiographical fiction; France -- Social life and customs -- Fiction
“You were speaking just now, Madame la Marquise, of M. Molé’s hat; we
shall soon be able, like Aristotle, to compile a chapter on hats,” said
the historian of the Fronde, somewhat reassured by Mme. de
Villeparisis’s intervention, but in so faint a voice that no one but
myself overheard him.
“She really is astonishing, the little Duchess,” said M. d’Argencourt,
pointing to Mme. de Guermantes who was talking to G——. “Whenever there’s
a famous man in the room you’re sure to find him sitting with her.
Evidently that must be the lion of the party over there. It can’t always
be M. de Borelli, of course, or M. Schlumberger or M. d’Avenel. But then
it’s bound to be M. Pierre Loti or M. Edmond Rostand. Yesterday evening
at the Doudeauvilles’, where by the way she was looking splendid in her
emerald tiara and a pink dress with a long train, she had M. Deschanel
on one side and the German Ambassador on the other: she was holding
forth to them about China; the general public, at a respectful distance
where they couldn’t hear what was being said, were wondering whether
there wasn’t going to be war. Really, you’d have said she was a Queen,
holding her circle.”
Everyone had gathered round Mme. de Villeparisis to watch her painting.
“Those flowers are a truly celestial pink,” said Legrandin, “I should
say sky-pink. For there is such a thing as sky-pink just as there is
sky-blue. But,” he lowered his voice in the hope that he would not be
heard by anyone but the Marquise, “I think I shall still give my vote to
the silky, living flesh tint of your rendering of them. You leave
Pisanello and Van Huysun a long way behind, with their laborious, dead
herbals.”
An artist, however modest, is always willing to hear himself preferred
to his rivals, and tries only to see that justice is done them.
“What makes you think that is that they painted the flowers of their
period, which we don’t have now, but they did it with great skill.”
“Ah! The flowers of their period! That is a most ingenious theory,”
exclaimed Legrandin.
“I see you’re painting some fine cherry blossoms—or are they
mayflowers?” began the historian of the Fronde, not without hesitation
as to the flower, but with a note of confidence in his voice, for he was
beginning to forget the incident of the hats.
“No; they’re apple blossom,” said the Duchesse de Guermantes, addressing
her aunt.
“Ah! I see you’re a good countrywoman like me; you can tell one flower
from another.”
“Why yes, so they are! But I thought the season for apple blossom was
over now,” said the historian, seeking wildly to cover his mistake.
“Oh dear, no; far from it, it’s not out yet; the trees won’t be in
blossom for another fortnight, not for three weeks perhaps,” said the
librarian who, since he helped with the management of Mme. de
Villeparisis’s estates, was better informed upon country matters.
Public-domain text, read in full here on John Shaqi.
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