Autobiographical fiction; France -- Social life and customs -- Fiction
blunder which, though they do not admit even to themselves that they
have made it, is enough to spoil their whole day. In a black rage, he
was just making up his mind never to go into society again. He had
reached the point at which some distraction was imperative. Fortunately
in another minute Mme. de Villeparisis was to press him to stay. Either
because she was aware of the general feeling among her friends, and had
noticed the tide of anti-semitism that was beginning to rise, or simply
from carelessness, she had not introduced him to any of the people in
the room. He, however, being little used to society, felt bound before
leaving the room to take leave of them all, to shew his manners, but
without any friendliness; he lowered his head several times, buried his
bearded chin in his collar, scrutinised each of the party in turn
through his glasses with a cold, dissatisfied glare. But Mme. de
Villeparisis stopped him; she had still to discuss with him the little
play which was to be performed in her house, and also she did not wish
him to leave before he had had the pleasure of meeting M. de Norpois
(whose failure to appear puzzled her), although as an inducement to
Bloch this introduction was quite superfluous, he having already decided
to persuade the two actresses whose names he had mentioned to her to
come and sing for nothing in the Marquise’s drawing-room, to enhance
their own reputations, at one of those parties to which all that was
best and noblest in Europe thronged. He had even offered her, in
addition, a tragic actress “with pure eyes, fair as Hera,” who would
recite lyrical prose with a sense of plastic beauty. But on hearing this
lady’s name Mme. de Villeparisis had declined, for it was that of
Saint-Loup’s mistress.
“I have better news,” she murmured in my ear, “I really believe he’s
quite cooled off now, and that before very long they’ll be parted—in
spite of an officer who has played an abominable part in the whole
business,” she added. For Robert’s family were beginning to look with a
deadly hatred on M. de Borodino, who had given him leave, at the
hairdresser’s instance, to go to Bruges, and accused him of giving
countenance to an infamous intrigue. “It’s really too bad of him,” said
Mme. de Villeparisis with that virtuous accent common to all the
Guermantes, even the most depraved. “Too, too bad,” she repeated, giving
the word a trio of ’t’s. One felt that she had no doubt of the Prince’s
being present at all their orgies. But, as kindness of heart was the old
lady’s dominant quality, her expression of frowning severity towards the
horrible captain, whose name she articulated with an ironical emphasis:
“The Prince de Borodino!”—speaking as a woman for whom the Empire simply
did not count, melted into a gentle smile at myself with a mechanical
twitch of the eyelid indicating a vague understanding between us.
Public-domain text, read in full here on John Shaqi.
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