Autobiographical fiction; France -- Social life and customs -- Fiction
I supposed at first that he was making her talk like this about
literature because he himself found medicine boring, perhaps also to
display his breadth of mind and even, with a more therapeutic aim, to
restore confidence to his patient, to shew her that he was not alarmed,
to take her mind from the state of her health. But afterwards I realised
that, being distinguished particularly as an alienist and by his work on
the brain, he had been seeking to ascertain by these questions whether
my grandmother’s memory was in good order. As though reluctantly he
began to inquire about her past life, fixing a stern and sombre eye on
her. Then suddenly, as though catching sight of the truth and determined
to reach it at all costs, with a preliminary rubbing of his hands, which
he seemed to have some difficulty in wiping dry of the final hesitations
which he himself might feel and of all the objections which we might
have raised, looking down at my grandmother with a lucid eye, boldly and
as though he were at last upon solid ground, punctuating his words in a
quiet, impressive tone, every inflexion of which bore the mark of
intellect, he began. (His voice, for that matter, throughout this visit
remained what it naturally was, caressing. And under his bushy brows his
ironical eyes were full of kindness.)
“You will be quite well, Madame, on the day—when it comes, and it rests
entirely with you whether it comes to-day—on which you realise that
there is nothing wrong with you, and resume your ordinary life. You tell
me that you have not been taking your food, not going out?”
“But, sir, I have a temperature.”
He laid a finger on her wrist.
“Not just now, at any rate. Besides, what an excuse! Don’t you know that
we keep out in the open air and overfeed tuberculous patients with
temperatures of 102?”
“But I have a little albumen as well.”
Public-domain text, read in full here on John Shaqi.
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