Autobiographical fiction; France -- Social life and customs -- Fiction
It’s quite possible,” put in Françoise, who was in the
room, and heard Charcot’s name, as she heard du Boulbon’s, for the first
time. But this in no way prevented her from saying “It’s possible.” Her
“possibles”, her “perhapses”, her “I don’t knows” were peculiarly
irritating at such a moment. One wanted to say to her: “Naturally you
didn’t know, since you haven’t the faintest idea of what we are talking
about, how can you even say whether it’s possible or not; you know
nothing about it. Anyhow, you can’t say now that you don’t know what
Charcot said to du Boulbon. You do know because we have just told you,
and your ‘perhapses’ and ‘possibles’ don’t come in, because it’s a
fact.”
In spite of this more special competence in cerebral and nervous
matters, as I knew that du Boulbon was a great physician, a superior
man, of a profound and inventive intellect, I begged my mother to send
for him, and the hope that, by a clear perception of the malady, he
might perhaps cure it, carried the day finally over the fear that we had
of (if we called in a specialist) alarming my grandmother. What decided
my mother was the fact that, encouraged unconsciously by Cottard, my
grandmother no longer went out of doors, and scarcely rose from her bed.
In vain might she answer us in the words of Mme. de Sévigné’s letter on
Mme. de la Fayette: “Everyone said she was mad not to wish to go out. I
said to these persons, so headstrong in their judgment: ‘Mme. de la
Fayette is not mad!’ and I stuck to that. It has taken her death to
prove that she was quite right not to go out.” Du Boulbon when he came
decided against—if not Mme. de Sévigné, whom we did not quote to him—my
grandmother, at any rate. Instead of sounding her chest, fixing on her
steadily his wonderful eyes, in which there was perhaps the illusion
that he was making a profound scrutiny of his patient, or the desire to
give her that illusion, which seemed spontaneous but must be
mechanically produced, or else not to let her see that he was thinking
of something quite different, or simply to obtain the mastery over her,
he began talking about Bergotte.
“I should think so, indeed, he’s magnificent, you are quite right to
admire him. But which of his books do you prefer? Indeed! Well, perhaps
that is the best after all. In any case it is the best composed of his
novels. Claire is quite charming in it; of his male characters which
appeals to you most?”
Public-domain text, read in full here on John Shaqi.
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