Autobiographical fiction; France -- Social life and customs -- Fiction
Then for the first time my mother’s eyes gazed passionately into those
of my grandmother, not wishing to see the rest of her face, and she
replied, beginning the list of those false promises which we swear but
are unable to fulfil:
“Mamma, you will soon be quite well again, your daughter will see to
that.”
And embodying all her dearest love, all her determination that her
mother should recover, in a kiss to which she entrusted them, and which
she followed with her mind, with her whole being until it flowered upon
her lips, she bent down to lay it humbly, reverently upon the precious
brow. My grandmother complained of a sort of alluvial deposit of
bedclothes which kept gathering all the time in the same place, over her
left leg, and from which she could never manage to free herself. But she
did not realise that she was herself the cause of this (so that day
after day she accused Françoise unjustly of not “doing” her bed
properly). By a convulsive movement she kept flinging to that side the
whole flood of those billowing blankets of fine wool, which gathered
there like the sand in a bay which is very soon transformed into a beach
(unless the inhabitants construct a breakwater) by the successive
deposits of the tide.
My mother and I (whose falsehood was exposed before we spoke by the
obnoxious perspicacity of Françoise) would not even admit that my
grandmother was seriously ill, as though such an admission might give
pleasure to her enemies (not that she had any) and it was more loving to
feel that she was not so bad as all that, in short from the same
instinctive sentiment which had led me to suppose that Andrée was too
sorry for Albertine to be really fond of her. The same individual
phenomena are reproduced in the mass, in great crises. In a war, the man
who does not love his country says nothing against it, but regards it as
lost, commiserates it, sees everything in the darkest colours.
Public-domain text, read in full here on John Shaqi.
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