Autobiographical fiction; France -- Social life and customs -- Fiction
to have preceded the explosion of a bomb or the first flicker of a fire.
The explanation of Mme. de Cambremer’s presence on this occasion was
that the Princesse de Parme, devoid of snobbishness as are most truly
royal personages, and to make up for this devoured by a pride in and
passion for charity which held an equal place in her heart with her
taste for what she believed to be the Arts, had bestowed a few boxes
here and there upon women like Mme. de Cambremer who were not numbered
among the highest aristocratic society but with whom she was connected
in various charitable undertakings. Mme. de Cambremer never took her
eyes off the Duchesse and Princesse de Guermantes, which was all the
simpler for her since, not being actually acquainted with either, she
could not be suspected of angling for recognition. Inclusion in the
visiting lists of these two great ladies was nevertheless the goal
towards which she had been marching for the last ten years with untiring
patience. She had calculated that she might reach it, possibly, in five
years more. But having been smitten by a relentless malady, the
inexorable character of which—for she prided herself upon her medical
knowledge—she thought she knew, she was afraid that she might not live
so long. This evening she was happy at least in the thought that all
these women whom she barely knew would see in her company a man who was
one of their own set, the young Marquis de Beausergent, Mme.
d’Argencourt’s brother, who moved impartially in both worlds and with
whom the women of the second were greatly delighted to bedizen
themselves before the eyes of those of the first. He was seated behind
Mme. de Cambremer on a chair placed at an angle, so that he might rake
the other boxes with his glasses. He knew everyone in the house, and, to
greet his friends, with the irresistible charm of his beautifully curved
figure, and fine fair head, he half rose from his seat, stiffening his
body, a smile brightening his blue eyes, with a blend of deference and
detachment, a picture delicately engraved, in its rectangular frame, and
placed at an angle to the wall, like one of those old prints which
portray a great nobleman in his courtly pride. He often accepted these
invitations to go with Mme. de Cambremer to the play. In the theatre
itself, and on their way out, in the lobby, he stood gallantly by her
side in the thick of the throng of more brilliant friends whom he saw
about him, and to whom he refrained from speaking, to avoid any
awkwardness, just as though he had been in doubtful company. If at such
moments there swept by him the Princesse de Guermantes, lightfoot and
fair as Diana, letting trail behind her the folds of an incomparable
cloak, turning after her every head and followed by every eye (and, most
of all, by Mme. de Cambremer’s), M. de Beausergent would become absorbed
in conversation with his companion, acknowledging the friendly and
dazzling smile of the Princess only with constraint, under compulsion,
Public-domain text, read in full here on John Shaqi.
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