Autobiographical fiction; France -- Social life and customs -- Fiction
And sure enough at the hotel where I was to meet Saint-Loup and his
friends and to which the fair now beginning had attracted a number of
people from near and far, I found, as I hurried across the courtyard
with its glimpses of glowing kitchens in which chickens were turning on
spits, pigs were roasting, lobsters being flung, alive, into what the
landlord called the “everlasting fire”, an influx (worthy of some
_Numbering of the People before Bethlehem_ such as the old Flemish
masters used to paint) of new arrivals who assembled there in groups,
asking the landlord or one of his staff (who, if he did not like the
look of them, would recommend lodgings elsewhere in the town) whether
they could have dinner and beds, while a scullion hurried past holding a
struggling fowl by the neck. And similarly, in the big dining-room which
I crossed the first day before coming to the smaller room in which my
friend was waiting for me, it was of some feast in the Gospels portrayed
with a mediaeval simplicity and an exaggeration typically Flemish that
one was reminded by the quantity of fish, pullets, grouse, woodcock,
pigeons, brought in dressed and garnished and piping hot by breathless
waiters who slid over the polished floor to gain speed and set them down
on the huge carving table where they were at once cut up but where—for
most of the people had nearly finished dinner when I arrived—they
accumulated untouched, as though their profusion and the haste of those
who brought them in were due not so much to the requirements of the
diners as to respect for the sacred text, scrupulously followed in the
letter but quaintly illustrated by real details borrowed from local
custom, and to an aesthetic and religious scruple for making evident to
the eye the solemnity of the feast by the profusion of the victuals and
the assiduity of the servers. One of these stood lost in thought at the
far end of the room by a sideboard; and to find out from him, who alone
appeared calm enough to be capable of answering me, in which room our
table had been laid, making my way forward among the chafing-dishes that
had been lighted here and there to keep the late comers’ plates from
growing cold (which did not, however, prevent the dessert, in the centre
of the room, from being piled on the outstretched hands of a huge
mannikin, sometimes supported on the wings of a duck, apparently of
crystal, but really of ice, carved afresh every day with a hot iron by a
sculptor-cook, quite in the Flemish manner), I went straight—at the risk
of being knocked down by his colleagues—towards this servitor, in whom I
felt that I recognised a character who is traditionally present in all
these sacred subjects, for he reproduced with scrupulous accuracy the
blunt features, fatuous and ill-drawn, the musing expression, already
half aware of the miracle of a divine presence which the others have not
yet begun to suspect. I should add that, in view probably of the coming
Public-domain text, read in full here on John Shaqi.
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