England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Interpersonal relations -- Fiction
I hesitated to adopt that conclusion. There is no denying it, the deaf
man had found his own strange and tortuous way to my interest, in spite
of myself. I might even have been in some danger of allowing him to make
a friend of me, if I had not been restrained by the fears for Cristel
which his language and his manner amply justified, to my mind. Although I
was far from foreseeing the catastrophe that really did happen, I felt
that I had returned to my own country at a critical time in the life of
the miller's daughter. My friendly interference might be of serious
importance to Cristel's peace of mind--perhaps even to her personal
safety as well.
Eager to discover what the contents of the portfolio might tell me, I
hurried back to Trimley Deen. My stepmother had not yet returned from the
dinner-party. As one of the results of my ten years' banishment from
home, I was obliged to ask the servant to show me the way to my own room,
in my own house! The windows looked out on a view of Fordwitch Wood. As I
opened the leaves which were to reveal to me the secret soul of the man
whom I had so strangely met, the fading moonlight vanished, and the
distant trees were lost in the gloom of a starless night.
CHAPTER V
HE BETRAYS HIMSELF
The confession was entitled, "Memoirs of a Miserable Man." It began
abruptly in these words:
I
"I acknowledge, at the outset, that misfortune has had an effect on me
which frail humanity is for the most part anxious to conceal. Under the
influence of suffering, I have become of enormous importance to myself.
In this frame of mind, I naturally enjoy painting my own portrait in
words. Let me add that they must be written words because it is a painful
effort to me (since I lost my hearing) to speak to anyone continuously,
for any length of time.
"I have also to confess that my brains are not so completely under my own
command as I could wish.
"For instance, I possess considerable skill (for an amateur) as a painter
in water colors. But I can only produce a work of art, when irresistible
impulse urges me to express my thoughts in form and color. The same
obstacle to regular exertion stands in my way, if I am using my pen. I
can only write when the fit takes me--sometimes at night when I ought to
be asleep; sometimes at meals when I ought to be handling my knife and
fork; sometimes out of doors when I meet with inquisitive strangers who
stare at me. As for paper, the first stray morsel of anything that I can
write upon will do, provided I snatch it up in time to catch my ideas as
they fly.
"My method being now explained, I proceed to the deliberate act of
self-betrayal which I contemplate in producing this picture of myself."
II
Public-domain text, read in full here on John Shaqi.
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