"All my valuable property, ostentatiously exposed to view," he said, in his bitterly facetious manner. "My landlord's property matches it on the big table." The big table presented a coarse earthenware teapot; cups and saucers with pieces chipped out of them; a cracked milk jug; a tumbler which served as a sugar basin; and an old vegetable dish, honored by holding delicate French sweet-meats for the first time since it had left the shop. My deaf friend, in boisterously good spirits, pointed backwards and forwards between the precious and the worthless objects on the two tables, as if he saw a prospect that delighted him. "I don't believe the man lives," he said, "who enjoys Contrast as I do.--What do you want now?" This question was addressed to Gloody, who had just entered the room. He touched the earthenware teapot. His master answered: "Let it alone." "I make the tea at other times," the man persisted, looking at me. "What does he say? Write it down for me, Mr. Roylake. I beg you will write it down." There was anger in his eyes as he made that request. I took his book, and wrote the words--harmless words, surely? He read them, and turned savagely to his unfortunate servant. "In the days when you were a ruffian in the prize-ring, did the other men's fists beat all the brains out of your head? Do you think you can make tea that is fit for Mr. Roylake to drink?" He pointed to an open door, communicating with another bedroom. Gloody's eyes rested steadily on Cristel: she failed to notice him, being occupied at the moment in replacing the pin of a brooch which had slipped out of her dress. The man withdrew into the second bedroom, and softly closed the door. Our host recovered his good humor. He took a wooden stool, and seated himself by Cristel.