The Guinea Stamp: A Tale of Modern GlasgowSwan, Annie S.
General
The Guinea Stamp: A Tale of Modern Glasgow
Swan, Annie S.
Glasgow (Scotland) -- Fiction
'No, they will come, I think, to-morrow, quite early. I did not wish it
done sooner,' she answered quietly. 'If you come now, I can show you the
door.' She took the lamp from the table, and, with a gesture of dignity,
motioned him to follow her. At the door of the little room where the
artist had suffered and died she gave him the lamp, and herself
disappeared into the studio. Not to sit down and helplessly weep. That
must be over now; there were things to be thought of, things to do, on
the threshold of her new life, and she was ready for action. She found
the matches, struck a light, and began at once to gather together the
few things she must now sacredly cherish as mementoes of her father.
First she took up with tender hand the little canvas from the easel,
looked at it a moment, and then touched the face with her lips. It was
her mother's face, which she remembered not, but had been taught to love
by her father, who cherished its memory with a most passionate devotion.
She wrapped it in an old silk handkerchief, and then began a trifle
dreamily to gather together the old brushes with which John Graham had
done so much good, if unappreciated, work. Meanwhile the old man was
alone in the chamber of death. He had no nerves, no fine sensibilities,
and little natural affection to make the moment trying to him. He
entered the room in a perfectly matter-of-fact manner, set the lamp on
the washhand-stand, and approached the bed. As he stood there, looking
on the face, calm, restful, beautiful in its last sleep, a wave of
memory, unbidden and unwelcome, swept over his selfish and hardened
heart. The years rolled back, and he saw two boys kneeling together in
childish love at their mother's knee, lisping their evening prayer,
unconscious of the bitter years to come. Almost the white, still outline
of the dead face seemed to reproach him; he could have anticipated the
sudden lifting of the folded eyelids. He shivered slightly, took an
impatient step back to the table for the lamp, and made haste from the
room.
[Illustration]
CHAPTER III
THE NEW HOME.
Next day at noon that strangely-assorted pair, the sordid old man and
the gentle child, set out in a peasant's waggon, which he had hired for
a few pence, to ride across the meadows to Boston. The morning was very
fair. In the night the mist had flown, and now the sun shone out warm
and cheerful, giving the necessary brightness to the scene. It lay
tenderly on the quaint fen village, and the little gilt vane on the
church steeple glittered proudly, almost as if it were real gold.
Public-domain text, read in full here on John Shaqi.
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