The Gunpowder Plot and Lord Mounteagle's Letter, Being a Proof, with Moral Certitude, of the Authorship of the Document: Together with Some Account of the Whole Thirteen Gunpowder Conspirators, Including Guy Fawkes — John Shaqi
The Gunpowder Plot and Lord Mounteagle's Letter, Being a Proof, with Moral Certitude, of the Authorship of the Document: Together with Some Account of the Whole Thirteen Gunpowder Conspirators, Including Guy FawkesSpink, Henry
History
The Gunpowder Plot and Lord Mounteagle's Letter, Being a Proof, with Moral Certitude, of the Authorship of the Document: Together with Some Account of the Whole Thirteen Gunpowder Conspirators, Including Guy Fawkes
Spink, Henry
Gunpowder Plot, 1605; Monteagle, William Parker, Baron, 1574 or 1575-1622
Let us now turn to the Evidence to-day available bearing upon the
momentous document under consideration. We will begin by saying a few
words respecting the Lord Mounteagle, whose name, at least, the Gunpowder
Treason will have for ever enshrined in the remembrance of the British
people.
CHAPTER III.
William Parker,[3] the son and heir of Lord Morley, whose barony had been
created by King Edward I. in 1299, was called to the House of Lords as the
fourth Baron Mounteagle, in right of his mother the Honourable Elizabeth
Stanley, the only child and heiress of the third Baron Mounteagle, whose
wife was a Leybourne of Westmoreland.
At the time of the Plot (1605) the fourth Lord Mounteagle was thirty years
of age. His principal country residence appears to have been at Great
Hallingbury, near Bishop Stortford, in the County of Essex. His chief
town-house seems to have been in the Strand. He married before he was
eighteen years of age, Elizabeth, daughter of Sir Thomas Tresham of
Rushton, Northamptonshire, a high-minded, scholarly Roman Catholic
gentleman of great wealth, who had been knighted at Kenilworth by Queen
Elizabeth in 1577.
Mounteagle was connected through his mother alone, to say nothing of his
father, with some of the noblest families in the land. Besides the then
well-nigh princely Lancashire House, the Stanleys Earls of Derby, to whom
he was related in both the paternal and maternal lines, through his mother
Elizabeth Stanley, Mounteagle was related, as cousin once removed, to
those twain gracious, beautiful souls, Anne Dacres Countess of Arundel and
Surrey, widow of the sainted Philip Howard Earl of Arundel and Surrey, and
to her sister the Lady Elizabeth Howard, wife of “Belted Will Howard”[4]
of Naworth Castle, the ancient home of the Lords Dacres of Gilsland, near
Carlisle, commonly called the Lords Dacres of the North, in
contradistinction to the Lords Dacres of the South, of Hurstmonceaux
Castle in the County of Sussex.
Mounteagle was, therefore, through his mother, a near kinsman to the
remarkable Thomas Howard Earl of Arundel, who married Aletheia, the only
child and heiress of Gilbert, seventh Earl of Shrewsbury, and god-daughter
of Queen Elizabeth.
This Earl of Arundel eventually became the well-known patron of the fine
arts. But in the year 1605 the young peer had not yet quite attained his
majority.
Mounteagle, again, through his mother’s relationship with the gifted
Thomas Howard Earl of Arundel just mentioned, would be also connected with
a nobleman who at that epoch was counted a very model of “the pomp, pride,
and circumstance of ancient nobility,” with John Lord Lumley[5] of Lumley
Castle in the County Palatine of Durham, whose wife was Jane, daughter of
Henry Fitzalan Earl of Arundel, a nobleman “exceeding magnifical,” who
indeed in his day had even cherished aspirations to the hand of the last
representative of the Royal House of Tudor herself.
Public-domain text, read in full here on John Shaqi.
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