The Haciendas of Mexico: An Artist's Record — John Shaqi
The Haciendas of Mexico: An Artist's RecordBartlett, Paul Alexander
History
The Haciendas of Mexico: An Artist's Record
Bartlett, Paul Alexander
Bartlett, Paul Alexander, 1909-1990; Haciendas -- Mexico -- Pictorial works; Haciendas in art
[Illustration: Hacienda de Teya, Yucatán: residence. 1700.]
[Illustration: Hacienda de Leoncito, Guanajuato: 16th-century chapel.]
[Illustration: Hacienda de San José, D.F.: rococo façade of residence.]
As rapidly as possible, the landowner, the _hacendado_, added to his
holdings, buying or usurping acreage. An hacienda might consist of
several thousand or several million acres. The terrain might be
mountainous, semi-desert, coastal strips, forest or jungle, or a
combination of topographical zones. There were cattle haciendas, sheep
haciendas, mining haciendas, pulque/tequila haciendas; others produced
henequén, grew coffee, sugarcane, corn, wheat. A few bred bulls for
the bullring.
During the first century of the occupation, Fray Bartolomé de Las
Casas, friend of the Indians, objected to the atrocities committed by
the Spanish. Alfonso de Zorita, writing his "Brevíssima Relación,"
exposed Indian mistreatment. Burnouf, French agronomist, wrote Emperor
Maximilian that the whip of the _mayordomo_ (the hacendado's
administrator) was destroying many lives. Regardless of objections
through the years, the hacienda system prospered.
Counts, countesses, dukes and duchesses, crude invasionists, wealthy
men, and religious orders owned estates. Some of the famous hacendados
were Hernán Cortéz, Porfirio Díaz, Martín Ruiz de Zavala, General Santa
Anna, and Pancho Villa (who was given his hacienda as a political
bribe). Famous families owned estates: Terrazas, Rosa, Amor, Jaral,
Ibarra, Echeverría, and Regla.
From the seventeenth to the nineteenth century, hacienda architecture
varied: Where generation after generation owned the hacienda, in
families of great wealth, façades were gothic, churrigueresque,
plateresque, Islamic, baroque, rococo. The most widespread
architectural style derived from the Roman. Most residences had their
living quarters around an _atrium_, or patio. Grilled windows and
massive wooden doors and shutters were common. Thousands of work-hours
went into the carvings and embellishments--in gray, pink, or yellowish
limestone. _Hornacinas_ (niches) peppered a church or chapel façade.
[Illustration: Hacienda de Bledos, San Luis Potosí: coat-of-arms.]
[Illustration: Hacienda de Puerto de Nieto, Guanajuato: 17th-century
defense tower. Note bullet holes.]
Each niche contained a saint or religious figure: It was tapestry in
stone.
In the states of Puebla and Oaxaca, tiled façades ornamented the
hacienda residences and lofty walls surrounded them. Church and chapel
domes were also tiled. In the Sierras, haciendas were often built of
logs and planed wood--rustic, two-story buildings with outside
stairways. In the tropics, the usual residence was one story with
ample verandas and deep-set doors and windows. Most buildings were
roofed in cone-shaped, interlocking, or flat tiles.
Public-domain text, read in full here on John Shaqi.
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