The Haciendas of Mexico: An Artist's RecordBartlett, Paul Alexander
History
The Haciendas of Mexico: An Artist's Record
Bartlett, Paul Alexander
Bartlett, Paul Alexander, 1909-1990; Haciendas -- Mexico -- Pictorial works; Haciendas in art
The guests gathered for cockfights. If it was summertime, a canopy
shaded the pit. In the highlands a _mozo_ swept aside pine needles and
built a green fire to fight the mosquitoes. In the south, white
awnings and striped parasols furnished shade. The cocks, which were
uncaged at a pit, were named: _Biba Manza_, _Panadero_, _Porfirio_,
_Tigre_, _Mi General_, and _El Rayo_. At a signal the birds flew at
each other, their razor blades flashing. Bets were wagered ... a
hundred ... a thousand ... five.
[Illustration: Hacienda de Aurora, Jalisco: commemorative bridge column
dated 1750.]
[Illustration: Hacienda de los Morales, D.F.: patio fountain, 1643.]
[Illustration: Hacienda de Xala, Hidalgo: residence and chapel, 1785.]
[Illustration: Hacienda de Tenache, Oaxaca: twin bells on roof of
residence.]
[Illustration: Hacienda la Calera, Jalisco: second residence on the
property, 1890.]
[Illustration: Hacienda Pixoy, Yucatán: brick-adobe residence and
storage rooms. 18th century, eleven rooms.]
[Illustration: Hacienda de los Ricos, Guanajuato: residence.]
[Illustration: Hacienda de los Ricos, Guanajuato: bullring entry door.]
Every fiesta had popular dances: Cora Paixil, Moro, Tapatío, Jarana.
The _gente_ (people) danced in the sala or on a cool veranda or outside
by kerosene lamps, by torches, by candlelight, under chandeliers in the
big house, by gasoline lamps--the illumination changing with the epoch.
Orchestras--brought by train from the cities--played polkas, waltzes,
rustic Bach, "La Bamba," "Torres de Pueblo," "There is Someone," and
other current favorites. Mariachis, in their sequined black suits and
sprawling black hats, played and sang. They were always the favorites
at every fiesta.
Dating from Aztec days, _Los Voladores_ (pole dancers), were the
sensation. Customarily, five men participated, first dancing on the
ground, then climbing a lofty pole where they hurled themselves into
space, roped by the feet. Spinning round and round the pole, they
gradually descended, unwinding.
Fiestas lasted a single day or several days; sometimes they became a
_feria_, a market where vendors would set up booths and display fabric,
produce, herbs, pottery, machetes, knives. Poultry and livestock were
sold or bartered. Early in the sixteenth century, Spanish bullfighters
arrived and performed at haciendas near the capital.
The elegantly-dressed cowboy, the _charro_, spent $1,000 on his outfit;
his trousers were skintight and had single or double rows of silver
buttons trimming the outside seams. His shirt was homespun cotton or
handsomely embroidered linen. His jacket was embroidered and sequined.
His boots were made of inlaid leather, expertly fitted. His sombrero
was ornamented with silver and silver banded. His stirrups and spurs
were chased silver or gold, and his saddle was inlaid with silver or
gold.
Public-domain text, read in full here on John Shaqi.
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